Bharatanatyam Performances and Media Recognition
A look at my journey on stage, from performances at the Madras Music Academy to the festivals I organize, alongside the reviews that keep me grounded in this art.
I am filled with gratitude to see my performance reviewed in The Hindu. This recognition for my show at The Music Academy is a tribute to my guru and my entire team.
A warm welcome to the Kalāmārga Nrityotsava, the annual dance festival I curate. This event is the grand finale of the Dhaatu Navaratra Mahotsava doll display, bringing together unique thematic presentations.
An invitation to 'Gudi Kutcheri', an initiative to revive the heritage of music and dance in lesser-known historic temples across Bengaluru. I am happy to be a part of this offering of 'Nada and Nritya Seve'.
An announcement for my performance at the prestigious Jharna 2023 festival hosted at Bharatakalanjali. It is an honor to be recognized as a dancer who explores the depths of art.
Another poster for the Jharna 2023 festival. Opportunities to perform at such events are a huge source of encouragement and inspiration for any artist.
A snippet from a review in The Hindu, highlighting the 'netra abhinaya' (eye expressions) and storytelling in my performance. Such detailed feedback is incredibly valuable.
It was a special moment to be featured in Narthaki's 'Taalam' column alongside my Guru, Sri P. Praveen Kumar, after we both performed at the same festival.
About this collection
What reviewers often note is the balance I strive for—the azhutham (groundedness) of my footwork paired with the lightness of movement. These images reflect the synthesis of my PhD research into Natyashastra and the live-music-backed performances I bring to stages in Bengaluru and beyond.
Every performance here is a dialogue between tradition and the present moment. Whether I am presenting a solo Margam or a fusion production with Bombeyaata puppets, the goal remains the same: storytelling that feels personal. You will see glimpses from the Music Academy stage, archival photos from temple performances in Bengaluru, and reviews from critics that capture the nuances of netra abhinaya (eye expressions) and emotional depth. I don't just dance; I organize spaces, like the Kalāmārga Nrityotsava, where we bring together various voices to celebrate Indian classical dance. For those looking to hire, these snippets show you the caliber of live orchestration and technical preparation I bring to every show—from small, intimate temple settings to large-scale festival stages.
Divya Hoskere
I see dance as a path of gratitude, a continuous learning process I share with my students and audience. My performances are rooted in the wisdom of my gurus, aiming to make ancient stories feel alive, relevant, and filled with maja (fun) for everyone watching.
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