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Bharatanatyam Performances and Media Recognition

byDivya HoskerePerforms across Bengaluru and IndiaStarts from65,000 per performanceView full gallery

A look at my journey on stage, from performances at the Madras Music Academy to the festivals I organize, alongside the reviews that keep me grounded in this art.

I am filled with gratitude to see my performance reviewed in The Hindu. This recognition for my show at The Music Academy is a tribute to my guru and my entire team.

A warm welcome to the Kalāmārga Nrityotsava, the annual dance festival I curate. This event is the grand finale of the Dhaatu Navaratra Mahotsava doll display, bringing together unique thematic presentations.

An invitation to 'Gudi Kutcheri', an initiative to revive the heritage of music and dance in lesser-known historic temples across Bengaluru. I am happy to be a part of this offering of 'Nada and Nritya Seve'.

An announcement for my performance at the prestigious Jharna 2023 festival hosted at Bharatakalanjali. It is an honor to be recognized as a dancer who explores the depths of art.

Another poster for the Jharna 2023 festival. Opportunities to perform at such events are a huge source of encouragement and inspiration for any artist.

A snippet from a review in The Hindu, highlighting the 'netra abhinaya' (eye expressions) and storytelling in my performance. Such detailed feedback is incredibly valuable.

It was a special moment to be featured in Narthaki's 'Taalam' column alongside my Guru, Sri P. Praveen Kumar, after we both performed at the same festival.

A part of The Hindu review that mentions my academic background as a PhD scholar. For me, research and performance are deeply intertwined, each enriching the other.

This excerpt from a review highlights the technical aspects of my dance, noting the 'azhutham' or groundedness. This balance of being light on my feet while staying grounded is central to my training.

This review clipping describes my portrayal of a deity being carried in a procession. Capturing such specific details, like the idol shaking with the palanquin bearers' steps, is the essence of sensitive abhinaya.

About On Stage & In The Press

What reviewers often note is the balance I strive for—the azhutham (groundedness) of my footwork paired with the lightness of movement. These images reflect the synthesis of my PhD research into Natyashastra and the live-music-backed performances I bring to stages in Bengaluru and beyond.

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