Press Coverage, Performance Posters & Acclaim
A look through the media clippings, event posters, and milestones that define my journey and the growth of my students at Ambalam.
A humbling review from The Hindu for the production "Sharad - Rising through Fall," which I choreographed. The article beautifully describes the metaphysical twist in the concept.
Another excerpt from The Hindu's review, detailing the wonderful orchestra that brought the music for "Sharad" to life.
The review also highlighted the visual appeal of the performance, noting the colorful costumes and exceptional lighting that blended with the theme of the autumn season.
The headline from The Hindu's feature on Natyarangam's festival, where my student Ramya Suresh depicted the Sharad Rithu (autumn season).
This part of the review reflects on the deeper allegory of the performance, connecting it to a journey of introspection and liberation.
The review noted the strength of both the Angika (body movements) and Aharya (costume) abhinayas in Ramya's performance, a testament to her skill and our training.
A wonderful review from Narthaki.com by the respected critic Leela Venkataraman for Ramya Suresh's performance at India International Centre, Delhi.
About this collection
When you look through these reviews, notice that our performances are not just about the steps. Whether it is a solo Margam or a larger production like 'Sharad,' we prioritize live Carnatic music accompaniment. If you are planning an event, this live musical element is what truly elevates the atmosphere and connects with the audience.
This collection is more than a list of accolades or a folder of old posters. It serves as a visual journal of our work at the Ambalam Foundation, documenting years of dedicated practice, rigorous rehearsals, and the evolution of our students. Whether you are reading reviews from publications like The Hindu or Narthaki, you will see a consistent thread: the integrity of our technique and the richness of our live orchestra.
When you hire us for a Bharatanatyam recital or a thematic production, you are not just getting a performance. You are engaging with a lineage. My students, such as Ramya Suresh or Chaitra Rao, carry forward the same discipline and attention to detail that I have cultivated over decades. From the subtle nuances of Abhinaya to the powerful, sharp movements of Nritta, every element is designed to communicate a story clearly.
If you are planning a private event, a temple festival, or a public function, look closely at the posters and event schedules here. They show our presence at prestigious venues like the Brahma Gana Sabha in Chennai or Seva Sadan in Bangalore. We handle everything from the conceptual choreography to the musical orchestration, ensuring that the essence of our culture is preserved. My goal is to keep the dialogue between the dancer and the rasikas alive, pure, and grounded in the roots of this art form.
Indira Kadambi
I am Indira. For me, dance is not a job but a way of life, shared with my family and my dedicated students at Ambalam. My work is about keeping the tradition alive, honest, and technically precise.
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