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A Look Behind My Creative Process

byVictoria KrundyshevaOn-set styling across Mumbai; travels pan-India for projectsStarts from30,000 Per LookView full gallery

Creative direction is not just about the final image. It is about the story, the technical lens tests, and the moodboards that define a shoot long before the camera clicks.

A video sharing my technical review of the Sigma 30mm 1.4 lens. I believe in sharing knowledge, and this video breaks down my thoughts on the lens's performance for fashion photography, showing behind-the-scenes footage from the test shoot.

A final shot from my Sigma lens review. The styling features a dress with a dramatic, sculptural hem, and I used high-contrast lighting to test the lens's ability to handle challenging conditions. The result is a crisp, powerful image.

A full-length view of the sculptural dress from the Sigma test shoot. This demonstrates how the 30mm focal length works for capturing both the garment and the model's presence.

A soft, blurry portrait created during my Sigma lens review. I often play with focus and light to create emotion. This image, with its sliver of light on the model's face, is a perfect example of that experimental process.

Another artistic portrait from the Sigma shoot. The technique is similar, but the model's pose creates a different mood, showcasing the versatility of a single lighting setup.

A black and white shot from the same series. The styling is simple, focusing on the model's form and the dramatic play of light and shadow across her body.

A close-up on the styling details from the Sigma shoot. The sharp winged eyeliner, long earrings, and metallic cuff are highlighted by the focused beam of light, showing my attention to every element of the look.

One of my daily moodboards. I collect textures and colors that feel connected, like the patterns in tree bark, water ripples, and stone. This practice is a form of visual journaling that fuels my creative process.

Another mini-moodboard, this one exploring the beauty of leaves and shadows. Finding the aesthetic story between seemingly random objects is a great creative exercise and a source of inspiration for my shoots.

A feature on me for the 'People of Econock' campaign. It was an honor to be profiled and to style their pieces, which resonate with my love for garments that carry history and meaning.

About My Process & Personal Brand

When I plan a shoot, I start with a moodboard, not a list of shots. Whether I am testing a new 30mm lens or designing a high-fashion campaign, I look for textures and shapes that tell a coherent story. If you are looking to collaborate, know that I do not just execute a brief; I build a narrative arc that ties every element together, from the styling and lighting setup to the final edit.

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