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Professional Makeup Services for Film and Ad Shoots

bySuresh PisharodyTravels to sets and venues across Kochi, major Indian metros, and UAEStarts from12,000 Per PersonView full gallery

Step into the high-energy world of professional sets. From vanity van prep to monitor checks, I ensure every look is camera-ready for high-definition 4K production.

A behind-the-scenes moment from the Minister White TVC shoot. Here you can see the lighting setup and the crew working together to get the perfect shot.

On set for a KLM ad with the wonderful Manju Warrier. Even with a child on her back, she's a true professional, reviewing the shot with the director.

Starting the makeover for the gorgeous actress Anikha Surendran. The makeup station is where all the magic begins, with my team working on hair, makeup, and nails.

A glimpse into my work on the set of a Max Urban ad with rapper Dabzee. Here I am in the vanity van, getting him ready for his shot.

The moment Dulquer Salmaan arrives on set. It's always a busy and exciting atmosphere when working on a big commercial shoot.

Where the team has focus, the energy starts to flow. A look at the outdoor setup for an Asian Paints commercial with a large crew and extensive equipment.

A happy crew photo. I believe that when we work together, we are part of something bigger than ourselves. These are the memorable moments.

It’s always a privilege to work with legends like cinematographer Sejal Shah. Here we are shaking hands on the set of a Still Waters Films production.

A look over the photographer's shoulder during a bridal photoshoot. You can see the images appearing on the screen in real-time as we work.

A sweet moment on set where the child actors are curiously watching the playback on the monitor with the director.

About A Day on Set

On a high-definition 4K set, there is zero room for error. I stay close to the director's monitor between takes, constantly dabbing sweat, fixing flyaway hair, and ensuring my matte finish makeup stays consistent under heavy studio lighting. It is not just about the first look; it is about maintaining that absolute perfection until the director calls cut.

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