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Thematic Bharatanatyam Dance Productions

byPraveen KumarStudio in Basavanagudi; Travels across India for projectsStarts from25,000 per compositionView full gallery

I conceptualize and choreograph thematic group productions that blend traditional Bharatanatyam with modern stagecraft and live music.

The official poster for 'Tyāgarāja Hṛt Sadana', a production where we delved into the profound compositions of the great saint Tyagaraja. This was a journey into music, poetry, and devotion.

A teaser image for an upcoming production with my Chithkala Ensemble. The beginning of any new work is a period of immense creative energy and anticipation.

A candid moment with my Chithkala Ensemble as we began work on a new production. Every creation starts with this shared sense of purpose and excitement.

A powerful tableau from 'Tyāgarāja Hṛt Sadana', showcasing the dynamic group formations that are a hallmark of my ensemble choreography. The interplay between dancers creates a rich visual narrative.

The final pose from 'Tyāgarāja Hṛt Sadana', a moment of collective artistic expression. It is a privilege to share the stage with such dedicated dancers from my Chithkala ensemble.

A scene from 'Tyāgarāja Hṛt Sadana' where I lead the ensemble. My choreography for group productions focuses on creating a seamless flow of energy and storytelling.

This video captures the essence of our journey with 'Tyāgarāja Hṛt Sadana'. It shows glimpses of the performance, from solo moments to grand ensemble sequences.

A sold-out performance of 'Tyagaraja Hrt Sadhana' at ADA Bangalore. It is always heartening to see a full house of rasikas ready to celebrate art with us.

A beautifully captured moment in black and white from 'Tyagaraja Hrt Sadana'. The interplay of light and shadow highlights the subtle expressions of the dancers.

The Chithkala ensemble in a synchronized pose during 'Tyagaraja Hrt Sadana'. My choreography emphasizes precision in group work to create visually striking patterns.

About Thematic Dance Productions

For me, a thematic production is never just about the steps. It is a dialogue between the dancer, the live orchestra, and the audience. Whether we are exploring the emotional depth of Tyagaraja’s compositions or a contemporary social theme, my focus remains on synchronizing the movement with the narrative arc to ensure the story is felt, not just seen.

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