Tribe Verified

Featured Bharatanatyam Choreography & Performance Highlights

byPraveen KumarStudio in Basavanagudi; Travels across India for projectsStarts from25,000 per compositionView full gallery

A curated glimpse into my world of dance, from large-scale thematic productions to intimate solo recitals. Explore the stories I tell on stage.

A moment of unity with my Chithkala School of Dance ensemble for our production, 'Tyāgarāja Hṛt Sadana'. My choreography is deeply rooted in creating a visual symphony, where each dancer contributes to a larger, cohesive story.

Exploring the fusion of Bharatanatyam and contemporary dance in 'Tatsama Tadbhava'. This collaboration allowed us to delve into the dualities of human nature, blending traditional abhinaya with modern movement.

A portrait of my student, Srujana, during her Rangaabhivandane. Guiding a dancer to this milestone is a profound journey, where I focus on crafting a repertoire that celebrates their unique artistry and passion.

A glimpse into my solo thematic presentation, 'Sharanagathi'. In my solo work, I delve into intricate footwork and layered expressions to explore complex spiritual and emotional themes on stage.

A moment of pure abandon from 'Ṛtú Vismruti', a production that uses Kalidasa’s poetry to address the urgent issue of climate change. Here, dance becomes a powerful medium for contemporary storytelling.

The art of abhinaya, or expression, is the soul of Bharatanatyam. Here, my student Meenakshi captures a nuanced emotion during her Rangaabhivandane, a culmination of our shared journey in art.

Portraying the longing of Krishna for Radha, this piece is an exploration of subtle abhinaya. My solo choreography often focuses on the Nayaka perspective, bringing the hero's emotions to the forefront.

In this brief conversation, I share my thoughts on choreography, the inspiration I draw from poetry, and my approach to exploring the emotions of the Nayaka, or hero, in my work.

About Featured

My work is inseparable from live music. Whether it is a solo recital or a group production, I insist on a live orchestra because that spontaneous energy between the dancer and the musicians is what truly brings the performance to life. It is not just choreography; it is a shared creative conversation on stage.

Similar work from other experts

Browse through Curated picks from other experts on mytribe