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Editorial and Magazine Feature Photography

byMitesh PunjabiShoots in Mumbai & Jaipur; Travels across India for projectsStarts from22,000 per sessionView full gallery

From conceptualizing themes to coordinating with stylists and HMU artists, I produce magazine-ready imagery that balances brand vision with individual character.

A powerful cover shot of Manasi Parekh for Filmfare magazine. The focus here was on creating a bold and direct image that commands attention on the newsstand.

Part of a Filmfare editorial with Manasi Parekh, this shot uses water reflections and a wet look to create texture and visual interest. The lighting is designed to highlight the unique details of the outfit.

A seated portrait from the Filmfare shoot, focusing on a more intimate and composed mood. The interplay of light and shadow on the water creates a serene yet captivating effect.

This full-length shot for Filmfare showcases the entire ensemble against a clean, high-key background. The lighting setup was designed to create interesting shadow play while keeping the focus on the subject.

Another angle from the water-based set for Filmfare. This image captures a candid, off-gaze moment, adding a layer of depth to the editorial story.

The digital cover for GlobalSpa magazine featuring Jannat Zubair. The composition and pose were chosen to feel both aspirational and accessible for a digital audience.

A full-length shot from the GlobalSpa editorial with Jannat Zubair. The opulent background and dramatic gown required careful lighting to balance the details of both the subject and her environment.

A medium close-up from the GlobalSpa shoot, focusing on Jannat's expression and the intricate details of her outfit's bodice and veil.

For this look in the GlobalSpa feature, we moved to a grand staircase. The soft lighting and elegant pose create a classic, almost fairytale-like portrait.

A tighter shot from the staircase set, highlighting the floral details on the gown and the delicate jewelry. The composition is framed to feel personal and engaging.

About Editorial & Magazine Features

For editorial campaigns, I insist on pre-shoot mood boarding and reference setting to align the aesthetic before we hit the floor. On-set, I use tethered shooting so you can view every frame on a monitor in real-time, allowing us to tweak lighting, styling, and poses instantly rather than fixing them in post-production.

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