Professional Choreography and Video Direction
A snapshot of my professional work, from chart-topping music videos to commercial ad film routines.
This is the result of hard work and a great team. Choreographing the T-Series song "Dhokha" and seeing it cross 100 million views is a huge milestone. It shows the impact that powerful visuals and storytelling through dance can have.
From the studio to the set, every project is a grind. This is a behind-the-scenes look at the "Dhokha" music video shoot, showing my process of rehearsing with artists and directing large dance crews to get the perfect shot.
It's always a proud moment to see my name in the credits on a major platform like T-Series. This screenshot from the official YouTube video for "Dhokha" confirms my role as the choreographer for this Arijit Singh hit.
Working with talented artists like Parth Samthaan on the "Dhokha" music video set in Jaipur was a great experience. As a celebrity choreographer, I ensure the actors are comfortable and deliver a performance that connects with the audience.
Here's a glimpse from a promotional ad film shoot. Choreography for ads is all about creating quick, catchy, and memorable movements that align with the brand's message, all while working with the camera and direction team.
Every project starts with a vision. Here, I am in a planning session for a large corporate project, discussing the creative direction and choreography concepts before we hit the rehearsal floor.
About Featured
People often ask if the camera changes how I choreograph. It absolutely does. When we are shooting for a label like T-Series or a commercial brand, I spend half my time watching the monitor. I adjust spacing and hand movements in real-time to make sure the frame feels full, even when the production setup is tight.
My approach to choreography changes depending on the medium. A stage show is about reaching the last row of the audience, but a camera-facing project is about angles, focal lengths, and framing.
The 'Dhokha' Process
When working on major productions like the T-Series song 'Dhokha' with Arijit Singh, the stakes are different. It is not just about the dance; it is about the visual narrative. We spent hours in Jaipur perfecting the movement to ensure it looked cinematic, not just rhythmic. My role goes beyond teaching steps; I work with the Director and DOP to sync the movement speed with the camera tracking.
Commercial Movement
For ad films, I shift to what I call 'movement direction.' This is less about high-energy dance and more about body language—how an actor walks, how they hold a prop, or how they interact with a crowd. Whether it is a corporate shoot or a product ad, the goal is to create a clean, intentional look that fits the brand identity. If you have a project and need someone who understands both the dance floor and the film set, let's talk.
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