Indian Classical Arts Training
Ambalam Foundation
I teach Bharatanatyam with full traditional training, covering technique, expression, Carnatic music, and stage experience for serious learners.
Pricing Guide
6-Month Diploma Semester
Curriculum & Structure
- Duration: 24 weeks (6 months) per semester covering foundational Adavus and geometry (Araimandi).
- Format: Blended learning with weekly live correction sessions and 24/7 access to high-definition guided practice videos.
- Certification: Formal evaluation and diploma awarded upon completion of attendance and performance requirements.
Resources Provided
- Audio: Studio-quality Carnatic vocal tracks by Vidwan T.V. Ramprasadh for practice.
- Study Material: PDFs covering Basic Theories in Bharatanatyam.
Physical Training
- Conditioning: Mandatory Yoga-based strengthening exercises integrated into dance routines.
- Policy: Strict academic attendance rules; 48-hour notice required for absence.
Specialized Short Courses (8-12 Weeks)
Module Selection
- Nattuvangam: Training in cymbals (Talam) and vocal percussion (Konnakol) to conduct dance recitals.
- Abhinaya: Masterclass on internalizing emotion (Sattvika) for Padams and Javalis.
- Correction: Targeted drills to fix specific technique flaws or Adavu errors.
Course Details
- Duration: Accelerated learning path ranging from 8 to 12 weeks.
- Materials: Includes rhythmic charts, notation sheets, and deconstruction of musical structure.
- Accompaniment: Sessions involve understanding the interplay with live orchestra instruments.
Private Mentorship & Choreography
Personalized Scope
- Focus: Custom itinerary for Arangetram preparation, full Margam choreography, or specific item polishing.
- Instructor: Direct 1-on-1 interaction with Indira Kadambi or senior faculty.
- Duration: 60 minutes per session, typically booked in blocks.
Artist Grooming
- Stagecraft: Consultation on lighting aesthetics, costume selection, and backstage management.
- Musical Analysis: Deep dive into Sahitya (lyrics) and Carnatic nuances for performance perfection.
About Indian Classical Arts Training
Why I Teach Bharatanatyam
For me, Bharatanatyam is like breathing - it’s not just steps, it’s a way to feel rooted. I don’t do quick-fix hobby classes. This is sadhana, lifelong learning, and connection to our culture. I stick to the Guru-Shishya training method, so classes are personal, intense, and honest. If you want something deep, not just surface level, you’ll fit right in.
How Training Happens Here
Every session starts with Adavu techniques. No shortcuts, no skipping basics. That’s how neat, powerful dancers are made. Once your base is strong, we move into the Margam curriculum: from Alarippu to Thillana, you’ll learn the whole traditional sequence. Padam, Javali, devotional pieces - all covered.
Expression matters as much as technique. A lot of time goes into Abhinaya, learning to show emotions and tell stories through dance. Plus, the music side isn’t ignored - my husband, Ramprasad, brings Carnatic vocal expertise so you develop a real ear for rhythm and melody.
For Serious Learners
If you’re ready for Arangetram preparation or want to go pro, I mentor you like an Akka. You’ll get stage experience, learn Nattuvangam, and understand how live productions work. Not always easy, but the growth is huge.
Who’s Welcome
Kids, adults, folks returning after a long break, advanced dancers - you’ll find a place here if you’re sincere. I want my students to become artists who know where they come from and carry it with pride.
Meet your Expert
Indira Kadambi
174 connects in last 3 months
My Story
I’m Indira. Dance is woven into every bit of my life—family, home, even the air at Ambalam. My husband sings, my kids play and do Nattuvangam, we all create together. Sometimes the universe just surprises you, like the day a giant Nataraja statue landed at my door—no warning, just magic. When I’m not dancing, you’ll find me hiking with students or watching lions in Kenya. Art, nature, family—they’re all one for me.
My Work
Bharatanatyam & More at Ambalam - I perform solo and with my family ensemble, choreograph new works, and guide students. We also teach Carnatic music and Yoga.
Guru & Mentor - I take my role as Acharya seriously. Watching my students grow as dancers is my biggest joy.
Family Ensemble - Performing with my husband, son, daughter-in-law, and senior disciples—our Ambalam Ensemble creates conceptual dance choreography.
For Rasikas - Audience presence is precious. Let’s keep the vibe pure—save the claps for the end, enjoy the journey.