Traditional Bharatanatyam Margam Recitals
I invite you to experience the sanctity of a full traditional Margam. Rooted in years of research and accompanied by a live classical orchestra, my recitals honor the journey from Pushpanjali to Tillana, connecting the stage to the sacred.
An invitation to my performance "Madly in Love: Heroes of Kalidasa" in New Delhi. This recital brought three heroes from the epic works of the poet Kalidasa to life, exploring their love, anguish, and hope.
Another poster for "Madly in Love" in Delhi. My work often bridges ancient Indian epics with modern relevance, and this performance was a tribute to the timeless heroes of Kalidasa.
Announcing my Bharatanatyam Margam performance for the Krishna Gana Sabha's Pongal Dance Festival in Chennai. I was excited to present my Meghdootam Varnam along with other rare compositions.
A moment from my performance of "Ras-e-Raskhan" in Pune. This production explores the journey of the poet Raskhan, whose devotion to Krishna transcended cast and creed.
An expressive moment from "Ras-e-Raskhan." The story of this Vaishnav poet, who was initially denied entry to the temples of Vrindavan but whose poems are now sung within them, is deeply inspiring.
A moment of prayer and devotion from "Ras-e-Raskhan." It was a great delight to perform this piece before the wonderful Rasikas of Pune.
In this video, I introduce the story of the poet Raskhan, a central figure in my production "Ras-e-Raskhan." His journey of devotion is a powerful tale that I am honored to share through dance.
Another invitation to my performance in Pune. My presentations are inspired by Indian mythologies, and I seek to bring a modern-day relevance to these ancient themes through my art.
A poster for "Ras-e-Raskhan: A Journey of Devotion Beyond Cast and Creed." This tale of a poet who challenged disparity with sheer love is one that I believe needs to be told.
A moment of pure devotion, singing for Shri Radharaman in Vrindavan. The connection between a devotee (bhakt) and their emotion (bhaav) is at the heart of my practice.
About Margam & Classical Repertoire
Every recital I perform is backed by a professional four-piece orchestra. I firmly believe the interplay between the mridangam, violin, nattuvangam, and vocals is what breathes life into the Margam. You are not just booking a performance; you are bringing a living, breathing classical ensemble to your stage.
The Margam is the foundation of my performance work, representing a structured journey that honors the ancient Bharatanatyam repertoire. In my recitals, I lead the audience through a progression that begins with the invocatory Pushpanjali and concludes with the rhythmic energy of the Tillana.
My approach avoids recorded tracks entirely. I perform exclusively with a live 4-piece orchestra, as the live jugalbandi between the musicians and my movement is essential to the integrity of the art form. This format allows me to maintain the spontaneity and depth required for a true classical experience, whether for seasoned rasikas or audiences new to the genre.
I offer two primary approaches within this cluster:
- Thematic Productions: For events seeking a narrative arc, I present research-backed productions that explore specific mythological characters, such as the legend of Shikhandi or the tales of the poets of Vrindavan. These pieces combine deep storytelling with classical technique.
- Traditional Margam: This is the quintessential recital format, ideal for festivals, temple events, or private gatherings that appreciate the pure classical form. I select compositions based on the venue and audience, ensuring the performance resonates with the space.
I perform across India and am equipped to travel with my ensemble. If you are looking for a performance that prioritizes technical precision (Nritta) and emotional depth (Abhinaya) grounded in scriptural research, I am happy to discuss your specific requirements.
Himanshu Srivastava
I am Himanshu. For me, dance is a form of nrityasewa, a way to bridge the gap between ancient texts and modern questions. Whether I am performing at a temple in Mylapore or an event in Delhi, my aim is to bring the same rigor, devotion, and live musical integrity to every stage.
Looking for a different style?
You can search for other themes, lecture-demonstrations, or educational workshops in my repertoire.
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