Educational Workshops & Lectures

Himanshu Srivastava

"I run workshops and lectures where I use dance, art, and stories to make Indian mythology and philosophy easy to understand for anyone, not just experts."

Himanshu Srivastava

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5.3k

About

I’m always trying to bridge the gap between research and intuition—between thinking and doing. My workshops and lectures are my way of making Indian art, mythology, and philosophy feel close and alive for anyone who joins, not just academics or artists.

What To Expect

  • I use ‘Drishya-Adrishya’ (Seen-Unseen) as a lens to dig deeper into stories and symbols most folks miss.
  • You’ll get more than just lectures. Sometimes there’s dance, sometimes visual art, always a chance to see things from a fresh angle.
  • I run sessions for all kinds of people—students, artists, dancers, even those who just love stories (rasikas).

Workshop Highlights

  • TRIKONA Series: We explore mythology, mysticism, and how it shapes us. Themes like the sacred feminine (Devi-tatva), animal and serpent spirits (Pashu, Naga) pop up a lot.
  • ‘Drishya-Adrishya’ Workshop: A hands-on look at the hidden meanings of mythological tales.
  • Fragrances from Vrindavan: Dive into rare poetry and stories from Vrindavan, with a mix of talk and demo.

For Young Minds

I love bringing Bharatanatyam and the history behind it to schools and colleges, especially in smaller towns. Kids learn basics like mudras (hand gestures) and get a taste of Indian mythology interactive sessions.

How I Work

Based in Delhi, but I travel all over India for in-person events. Many workshops, like the TRIKONA series, are also online—so distance isn’t a barrier.

Why I Do This

For me, teaching is nrityasewa—service through dance. It’s about sharing, not showing off.

Meet your Expert

Himanshu Srivastava

Himanshu Srivastava

61 connects in last 3 months

My Story

Namaskar, I’m Himanshu. Grew up in Prayagraj, surrounded by dance and colors. My gurus—especially my mother, Smt. Kamalini Nagarajan Dutt—shaped everything I do. Lost her, but her lessons walk with me. I see Bharatanatyam and painting as one big sangam, mixing Chola lines, Ajanta colors, and Phad technique. My Ph.D. even tied dance to sculpture. I dance, paint, and research to keep Amma’s vision alive. Art is my way to ask, ‘when next?’

My Work

What I Offer - Thematic Bharatanatyam productions (solo, duet, collaborations), painting exhibitions with art talks, and research-based workshops on Indian art and mythology.

My Approach - It’s never just about performing. I dig into shastras, epics—stories like Shikhandi and Ras-E-Raskhan—then shape them for today.

Art Meets Dance - My painting style—Chola-inspired lines, Ajanta colors—feeds my choreography. Both arts live together at @thenatyachitra.

Stories Close to Me - Solo acts like Shikhandi and UnEklavya aren’t just tales, but questions. I want audiences to feel, to think, to connect.

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