Original & Imagined Character Portraits
Sometimes I just like to draw faces from my imagination. These are my original character portraits where I experiment with different styles and expressions.
A finished colored pencil portrait of a woman with sunglasses, drawn from my imagination. I used Derwent Chromaflow pencils to create the vibrant red and orange background.
The full view of my original character portrait, with the pencils I used for her hair and outfit.
Another angle of the imaginative portrait, showing the color gradient in the background.
A slightly different shot of the finished piece, highlighting the purple eyeshadow and red lips.
A close-up of the woman's face, focusing on the details of her sunglasses and hair.
A cute, semi-realistic colored pencil portrait of a girl with reddish-brown hair and a green sweater.
The full view of the finished "cute girl" portrait.
A close-up of the girl's face, showing her green eyes and freckles.
A colored pencil portrait of a woman with a short black bob haircut, created for the Derwent 12-color challenge.
A work-in-progress of the bob haircut portrait, with the face and hair complete.
About Original & Imagined Portraits
Drawing characters from my own imagination is honestly my favorite kind of chaos. When I am not working on specific commissions, I am usually sketching portraits that do not exist anywhere else, playing with bold color palettes in colored pencil or finding the drama in graphite shading. It is all about capturing a specific vibe on paper, even if it starts as just a random idea in my head.
My process for these imagined portraits is a bit different from my standard commissions. Without a reference photo to follow, I have to rely on my understanding of anatomy, lighting, and color theory to make the character feel alive. I usually start with a rough pencil outline to get the expression right, then layer in color or shading until the piece feels finished.
I love using this space to experiment. For example, my recent work with the Derwent Chromaflow pencils allowed me to push the saturation in the background, which creates a totally different mood compared to my standard graphite work. I typically use 200gsm to 250gsm Bristol paper for these, as it handles the multi-layer blending really well without getting muddy.
If you want an original portrait for your profile, as a gift, or just for your collection, I treat these with the same technical care as my realistic commissions. Whether it is a semi-realistic character with a specific color scheme or a high-contrast graphite sketch, you get the same professional fixative protection and rigid packaging to keep your art safe during shipping. Since these come entirely from my imagination, each one is a one-off, meaning nobody else will have the exact same print.
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