Costume Design for Film & Television
Bringing characters to life through wardrobe is a creative journey I love. From the gritty, action-packed sets of a film like 'CRAKK' to the classic, elegant looks for a TV drama like '#Vanshaj', I build visual identities that tell a story on screen.
The official trailer for the film 'CRAKK', where I served as the costume designer. You can see the range of action-oriented and character-driven outfits created for the entire cast.
The official poster for the film 'CRAKK'. It was an incredible experience to design the costumes for this high-octane action movie.
A film still of Amy Jackson as Patricia Novak in 'CRAKK'. Her look, featuring a tactical harness over a simple tank, was designed to be both functional for action sequences and visually define her character.
An intense scene from 'CRAKK'. The costumes had to withstand intense physical sequences while maintaining the established look for each character.
A powerful shot of Amy Jackson in 'CRAKK'. The close-up shows how even simple costume elements and a sleek ponytail contribute to building a strong, believable character.
Another look for Amy Jackson's character in 'CRAKK', pairing a leather blazer with jeans. This outfit was designed for an action sequence, blending a civilian look with tactical readiness.
On the set of 'CRAKK' in Poland. The industrial setting of a train yard provided a gritty backdrop for the action-ready costumes I designed.
A behind the scenes moment on the 'CRAKK' set, discussing a scene with Amy Jackson. Collaboration with the actors and director is key to ensuring the costumes feel authentic to the character and story.
This shot from 'CRAKK' captures the atmospheric lighting on set. The costume was designed to work with the film's visual tone, ensuring the character looked right in every environment.
An action shot from 'CRAKK' featuring Amy Jackson. The styling here, including the practical jeans and jacket, was chosen to allow for maximum mobility during stunt work.
About Costume Design: Film & Television
Costume design is about more than just clothes. For high-octane films like 'CRAKK', I have to ensure the outfit is functional enough for stunts—that tactical harness has to stay secure while the actor is running or fighting—while still keeping the character's aesthetic sharp. It is a constant balancing act between visual storytelling and the physical reality of the set.
Designing for the screen is a collaborative dance. When I build a look for a film or TV show, it is not just about what looks good in a still photo; it is about movement, lighting, and narrative continuity.
Film & High-Octane Action Designing for a movie requires a different set of priorities. We look at fabric durability, mobility for stunt sequences, and how the texture holds up under harsh industrial lighting in locations like Poland. My job is to make sure the costume is invisible to the audience because it feels so natural to the character, even during intense action shots.
Television & Drama On sets like '#Vanshaj', the focus shifts to storytelling through color palettes and silhouettes that audiences recognize instantly. Whether it is a vibrant chikankari kurta or a specific saree drape, these details help define character arcs and set the tone for a long-running series.
The Behind-the-Scenes My role goes beyond sourcing. I am on set for monitor checks to fix flyaways, manage continuity, and handle those last-minute adjustments right before the director shouts 'action.' Whether it is sourcing vintage pieces or coordinating custom tailoring, I make sure the cast feels comfortable and looks the part from the first shot to the last.
Anushka Tugnait
Hi, I'm Anushka. I believe styling is about connections, whether I'm working with actors on a film set or helping you find your own confidence. I live for the process of building a character's vibe and love seeing it all come together on screen.
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