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Costume Design for Film & Television

byAnushka TugnaitBased in Mumbai & Delhi; Travels pan-India for styling projectsStarts from20,000 Per SessionView full gallery

Bringing characters to life through wardrobe is a creative journey I love. From the gritty, action-packed sets of a film like 'CRAKK' to the classic, elegant looks for a TV drama like '#Vanshaj', I build visual identities that tell a story on screen.

The official trailer for the film 'CRAKK', where I served as the costume designer. You can see the range of action-oriented and character-driven outfits created for the entire cast.

The official poster for the film 'CRAKK'. It was an incredible experience to design the costumes for this high-octane action movie.

A film still of Amy Jackson as Patricia Novak in 'CRAKK'. Her look, featuring a tactical harness over a simple tank, was designed to be both functional for action sequences and visually define her character.

An intense scene from 'CRAKK'. The costumes had to withstand intense physical sequences while maintaining the established look for each character.

A powerful shot of Amy Jackson in 'CRAKK'. The close-up shows how even simple costume elements and a sleek ponytail contribute to building a strong, believable character.

Another look for Amy Jackson's character in 'CRAKK', pairing a leather blazer with jeans. This outfit was designed for an action sequence, blending a civilian look with tactical readiness.

On the set of 'CRAKK' in Poland. The industrial setting of a train yard provided a gritty backdrop for the action-ready costumes I designed.

A behind the scenes moment on the 'CRAKK' set, discussing a scene with Amy Jackson. Collaboration with the actors and director is key to ensuring the costumes feel authentic to the character and story.

This shot from 'CRAKK' captures the atmospheric lighting on set. The costume was designed to work with the film's visual tone, ensuring the character looked right in every environment.

An action shot from 'CRAKK' featuring Amy Jackson. The styling here, including the practical jeans and jacket, was chosen to allow for maximum mobility during stunt work.

About Costume Design: Film & Television

Costume design is about more than just clothes. For high-octane films like 'CRAKK', I have to ensure the outfit is functional enough for stunts—that tactical harness has to stay secure while the actor is running or fighting—while still keeping the character's aesthetic sharp. It is a constant balancing act between visual storytelling and the physical reality of the set.

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