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Film & Music Video Choreography Services

byTijo's Dance AcademyStudio Youmania, Malad East, MumbaiStarts from12,000 Per Performance SequenceView full gallery

Moving from the studio floor to the silver screen requires a different kind of magic. We handle choreography that plays well with camera angles, ensuring your vision translates perfectly to the screen.

From a simple studio rehearsal to a full-scale music video shoot, this is the transformation we deliver. We handle everything from concept and choreography to on-set direction, making sure the final performance is polished, professional, and exactly what the director envisioned.

Team TDA on the red carpet for the premiere of the film 'Aatli Batmi Phutli'. It was a proud moment for us to be the official choreographers for the movie.

The highlight of our year. Seeing our names, Tijo George and Juhi Soni, on the big screen in the film credits was an unforgettable moment. This is the result of months of hard work and dedication.

A behind-the-scenes look from the film set of 'Aatli Baatmí Futli'. Here we are, monitoring the shots and giving directions to the dancers, ensuring our choreography translates perfectly to the screen.

A compilation of moments from the 'Jalim Savkar' music video shoot, which we choreographed. This shows our team working behind the camera, directing the artists, and the final on-screen result.

Watching our choreography come to life on the theatre screen. It's an incredible feeling to see the actors and dancers perform our steps in the final cut of the film.

A proud moment for me at the film's promotional event, being introduced as the choreographer for the song 'Jalim'. It's always an honor to be recognized for our creative work.

That moment our names appeared on the theatre screen. This is what we work for, bringing our creative vision to the world of cinema.

A close-up of the film credits, showing the names of our entire TDA team, from choreographer assistants to the dancers. It truly takes a village, and we're so proud of our talented crew.

About Film & Music Video Choreography

When we choreograph for the screen, we are not just watching the dancers. We work closely with the Director of Photography to nail the camera blocking. It is about making sure the energy of the performance translates perfectly through the lens, ensuring every step hits the mark for the final cut.

Filming is a totally different game compared to a stage performance. In the studio, you might be focused on the full movement, but on set, we have to consider frame limits, depth, and the continuity of the dance across multiple takes.

Our process starts with Pre-production. We collaborate with the production team to understand the concept. Are we shooting a high-energy music video, or is this a subtle sequence for a film scene? We block the choreography so it fits the shot list perfectly, rather than expecting the camera to chase us.

Then comes the training. We spend 2 days in pre-shoot rehearsals with the lead talent and dancers. We do not just teach steps; we train for stamina. Shooting a 3-minute sequence can take an 8-10 hour day, and the energy has to be just as high in the last take as it was in the first.

On the shoot day, we handle the on-set direction. We supervise the styling to ensure footwear and outfits actually allow for the movement, manage the continuity of the steps, and work with the crew to ensure the dancers are hitting their marks. Whether it is an ad film, a music video, or a regional film like our work on Aatli Batmi Phutli, we treat the screen as our stage.

Official choreographers for Aatli Batmi PhutliApproved by the tribe
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Tijo's Dance Academy

Studio Youmania, Malad East, MumbaiStarts from 12,000 Per Performance Sequence

I'm Tijo. For me, choreography is about storytelling through movement. Seeing my team's work on the big screen in films like Aatli Batmi Phutli was a total pinch-me moment, but it all comes back to the same foundation we teach in our daily classes. I bring that same TDA energy to every project, ensuring the dance serves the director's vision.

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