Cinematic Video Editing and Post-Production
I turn raw, messy footage into finished films that actually hold attention. Whether it is a high-speed commercial or a story-driven brand piece, my goal is to make the edit feel like a conversation.
A look at a spec ad I edited for the Apple Watch Ultra 2. My focus was on creating a high-energy, adventurous feel through quick cuts, immersive sound effects, and a color grade that makes the footage pop, whether it's showing the watch on a mountain or deep underwater.
This project for Benelli was all about speed and style. I used fast, rhythmic cuts and masking transitions in Adobe Premiere Pro to match the energy of the bike, creating a dynamic and cinematic edit that feels like it's in constant motion.
A short, fast-paced cinematic reel capturing the raw energy of Mumbai. I used specific color grading to give the city a warm, vintage film look, and the quick edits are designed to reflect the city's non-stop pace.
This video shows the power of cinematic color grading. You can see the flat, raw footage transform into a vibrant, moody scene. I use DaVinci Resolve to meticulously adjust colors, highlights, and shadows to tell a story and evoke a specific feeling.
A demonstration of how I build an immersive world using only sound effects. This clip strips away the music to reveal the complex layers of SFX I use in Adobe Premiere Pro to make every scene feel real and impactful.
A sleek and modern product commercial for the Realme Pad 2. The goal was to highlight the device's premium design through clean visuals, smooth motion, and dramatic lighting, all brought together in post-production.
This reel is a personal one, celebrating one year with my dream camera, the Sony A7 IV. It's a compilation of brand films, wedding stories, and personal projects, showcasing the diverse range of stories I can help tell through professional video post-production.
About Featured
I do not just cut clips together. For every project, I build a custom soundscape, layering SFX like whooshes, impacts, and ambient noise to make the audio work as hard as the visuals. If you watch my work, you will notice the sound tells half the story before the music even kicks in.
How I Approach Your Edit
Post-production is where the final story is actually written. I treat every project with the same focus, whether it is a high-paced social media reel or a three-minute commercial film.
Fast-Paced, Retention-Focused Editing I specialize in edits that do not let the viewer scroll past. Using Adobe Premiere Pro, I lock cuts to the beat, create rhythmic flow, and use masking transitions that keep eyes glued to the screen. If you have footage that feels stagnant, I can find the energy in it.
Cinematic Color Grading Color is not just about making things look bright. I use DaVinci Resolve for node-based grading to ensure skin tones look natural while giving your brand visuals a specific, professional mood. Whether you want a high-contrast commercial look or a soft, cinematic film aesthetic, I dial it in frame by frame.
Sound Design as a Secret Weapon Most videos fail because the audio is flat. I layer foley and ambient SFX to build an immersive world. I take raw audio, clean up the dialogue, and mix it to broadcast standards so that every click, step, or whoosh feels intentional and real.
The Process
- Briefing: We start by talking about the 'vibe' and your audience.
- Rough Cut: I send over the first structure for us to align on the flow.
- Refinement: We polish the transitions, audio, and color.
- Delivery: You get a high-bitrate, broadcast-ready file in your preferred format.
I am based in Mumbai and work with brands and creators who want their content to look, sound, and feel professional.
Sarun Jayaprakash
I am Sarun, and I went from borrowing a camera in 2020 to building a full-time filmmaking setup today. I live for the edit, the late nights, and the fine-tuning that makes a project come alive. If you have a vision, I am ready to put in the work to get it on screen.
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