Video Post-Production
Online
I edit videos with fast cuts, cinematic color grading, and layered sound effects using DaVinci Resolve and Premiere Pro, so your story feels sharp and immersive.
Pricing Guide
High-Paced Social Reel Edit
Visual Editing & Pacing
- Retention-Optimized Cutting: Fast-paced edits with 0.5s to 2s average shot duration designed to stop scrolling.
- Transitions: Signature masking transitions where objects wipe the frame or blend into the next scene.
- Beat-Syncing: All cuts locked strictly to musical beats or snare hits.
- Stabilization: Digital smoothing for handheld footage to mimic gimbal movement.
- Format: 9:16 Vertical Aspect Ratio (1080x1920 or 4K Vertical).
Advanced Sound Design
- SFX Layering: Detailed inclusion of library assets like whooshes, risers, impacts, and ambient nature sounds.
- Audio Mixing: Balancing voiceovers against background music and sound effects for clarity.
Color & Graphics
- Grading: Conversion of S-Log3 footage to high-contrast commercial looks using custom LUTs.
- Overlays: Minimalist kinetic typography for hooks and motion graphics assets like film grain.
Delivery & Process
- Revisions: Includes 2 rounds of creative changes.
- Turnaround: Typically 48 to 72 hours from footage receipt.
- Output: High-bitrate H.264/H.265 MP4 file.
Commercial Brand & Product Film Edit
Narrative & Compositing
- Story Structure: Cohesive narrative editing focused on flow (Intro, Feature, Resolution) rather than rapid visual beats.
- Compositing: Green screen chroma keying and screen replacement tracking for phone/laptop displays.
- Integration: Seamless weaving of product B-Roll with main interview or narrative footage.
Cinema-Grade Color Grading
- DaVinci Resolve Workflow: Node-based grading ensuring strict skin tone accuracy and product color fidelity.
- Noise Reduction: Cleanup of digital grain in low-light footage.
Audio Engineering
- Foley Work: Creation of realistic soundscapes (footsteps, button clicks) not present in original audio.
- Dialogue Cleanup: Removal of background hiss, clicks, or hums.
- Mastering: Audio levels mixed to broadcast/YouTube loudness standards (-14 LUFS).
Delivery & Process
- Format: 16:9 Widescreen 4K UHD resolution.
- Revisions: Up to 3 rounds of changes (Draft Cut, Fine Cut, Lock).
- Turnaround: 5 to 7 business days.
About Video Post-Production
My Approach to Video Post-Production
Post-production isn’t just button-clicking for me. It’s the late nights, the chai breaks, and the stubborn drive to turn raw shots into something you feel in your gut. I started out with a borrowed camera, and now, it’s hours at the desk making sure each cut, each color tweak, and every sound lands right.
What You Get
- Editing with Pace: I’m all about fast-paced video editing. Every frame is intentional. I like stories that move, that keep you hooked. Whether it's for a brand film post-production or a snappy travel reel, I keep things cinematic and energetic.
- Color That Tells a Story: Cinematic color grading isn’t about making things shiny. It’s about mood. Want that warm sunset vibe? Or maybe a dramatic, dark look for your ad? I use DaVinci Resolve to dial in the feeling, not just the look.
- Sound That Hits Different: Immersive sound effects are my secret weapon. Sometimes, the right sound can say more than any dialogue. I layer SFX so your video feels real and pulls people in.
My Tools
I use Adobe Premiere Pro and DaVinci Resolve, running on a Mac Mini M2 - all set for heavy projects. If your idea’s half-baked or fully fleshed out, I’m up for it.
If you want your video to make people say, “Ajun thodasa thamb na” (just wait a bit longer), let’s get to work.
Meet your Expert
Sarun Jayaprakash
34 connects in last 3 months
My Story
Hey, I’m Sarun from Mumbai. B.Pharm degree in the drawer, camera in hand – that’s me. Started out with a borrowed camera, chasing shots and dreams. July 18th, got my Sony A7 IV, felt like winning the lottery. Added a drone, built my gear bit by bit. Won 'Creator of the Year' from Realme India, went abroad for the first time. From a tiny desk to making cinematic Mumbai films, I’m just grateful for every person who believed in me. Bas, abhi toh party shuru hui hai! (This is just the beginning!)
My Work
Photos, Films & Drone Shoots - I do cinematic Mumbai films, social media Reels editing, and drone aerial photography for brands and creators.
My Style - Fast & Cinematic - Love dynamic edits, nostalgic festival videography, and storytelling with color, sound, and SFX.
What I Shoot - Mostly commercial brand stuff, but also Mumbai’s festivals, streets, and sunrise moments.
Creative Process - I start with a rough sketch, then just go with the flow. Collaboration is key, and every project is personal.