Tribe Verified

Editorial and Avant-Garde Makeup in Mumbai

byVaishnavi K.Travels to sets and venues in Mumbai and across IndiaStarts from12,000 per lookView full gallery

I love the freedom of editorial makeup. Whether it is sharp graphic liners for a music video or bold, colorful pigments for a fashion shoot, I am here to build your creative vision with precision and a raw, artistic edge. ⭐️

A behind-the-scenes look at creating a vibrant blue smokey eye. This editorial look is bold and dramatic, perfect for a high-fashion beauty shoot.

A clip from the music video 'Faramōsh' by Madboy/Mink. I created this quirky, conceptual look featuring a sharp white graphic liner to fit the video's artistic theme.

An editorial shoot featuring a bold red accent on the eye. This type of creative makeup is about telling a story and creating a memorable, artistic image.

A close-up of a bold, smudged eyeliner look paired with strong soap brows. This is a raw, edgy style perfect for fashion-forward editorials.

A creative makeup look for the music duo Madboy/Mink. This features a delicate, futuristic white line over the brow for a subtle yet impactful artistic touch.

Another look for Madboy/Mink, this time with a white graphic liner on the brow bone. It's a minimalist take on avant-garde makeup that is both unique and wearable.

An expressive shot from the 'Faramōsh' music video shoot. The white graphic liner adds a playful and surreal element to the character's look.

Another playful pose from the 'Faramōsh' shoot. The makeup was designed to be expressive and work with the quirky, vintage-inspired styling.

A fun, character-driven shot from the 'Faramōsh' music video. The makeup helps bring the whimsical, aviator-inspired character to life.

A transition video showing the 'Faramōsh' character. The white graphic liner is the key element of this creative and memorable makeup look.

About Editorial & Avant-Garde Looks

When I am working on editorial or music video sets, my priority is making sure the creative look survives the chaos of filming. I do not just apply bold colors and walk away. I layer primers and use setting techniques specifically designed to keep graphic liners and intense pigments from cracking or shifting under hot studio lights. You get the high-fashion impact on camera, and it stays locked in place for as long as we are rolling.

Similar work from other experts

Browse through Curated picks from other experts on mytribe