Behind the Art: My Creative Process

My process is all about merging street grit with tight design. When you come to me with a concept, I don't just start spraying. We start by deconstructing what you want. Whether it is a mural for a workspace or a custom canvas, I use an iPad to build a digital mock-up first. This is where we finalize the flow and the lettering style, especially if we are mixing Devnagri elements with graffiti.

Execution is where the 'Masala' happens. I use professional-grade aerosols like Flame and Montana for their gradient control and saturation, layered with Posca markers for those crisp, clean details that make a piece pop. For canvas work, I stick to gallery-wrapped cotton on pine frames because the texture handles the aerosol drift better than flat boards. If I am working on wood or an old skateboard deck, the prep is different. It involves sanding, priming, and carving physical depth into the wood before the paint ever hits it. This isn't just about covering a surface. It is about treating your wall or your object as a living part of the scene. I protect every piece with UV-resistant varnish, whether matte or gloss, to keep the colors fresh and the lines sharp. If you want to see how this translates to a project, hit me up, and let's decode your idea.