Fine-Brush Retouching of Old Portraits
A close view of retouching work and the damaged paint surfaces.
My brush is at the face of this old portrait, with a phone photograph beside the canvas as a visual reference.
This is the kind of challenge I love. A close-up of an old portrait with extensive flaking and paint loss, showing the condition before my conservation work begins.
This close view of an old portrait dated 1935 shows scratches, discolouration and missing paint across the face and surrounding surface.
About My Restoration Process
In the process image, I use a fine brush on an old portrait while a reference photograph is displayed on my phone.
The other images show peeling paint, exposed canvas, scratches and discolouration on works dated 1935.
Fine-brush retouching and reference use are visible here. Solvent testing, adhesives, lining and de-acidification are not established by these photographs. An image assessment is not a solvent test. Confirm the treatment scope and intake arrangements for the particular painting before sending it.
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