Behind the Lens: My Filmmaking & Photography Process
getting an inside look at how i work. from drone scouting to finding the right light on nyc streets, here is the creative process behind the final edit.
On set with the crew, reviewing drone footage. Collaboration is a key part of larger productions. Using a drone allows for perspectives that can completely change the feel of a film.
Behind the scenes of a film shoot at the New York Public Library. I'm using a camera on a monopod to get a high-angle, stabilized shot, which is a technique for creating smooth, cinematic movement.
A shot of me during a photo walk in New York. I often use my Leica Q2 for street photography to capture candid moments. The process of just walking and observing is a big part of my creative work.
About Behind the Lens
storytelling starts way before the shutter clicks. whether it is drone scouting for the right angle or holding a monopod on the steps of the public library to get that specific cinematic frame, i do not just show up and shoot. i build a world around the concept, which means spending time on location scouting, narrative boarding, and making sure the lighting feels natural before we ever roll tape.
people often ask about the gear, but the lens is only a small part of the story. the real work happens in the planning. whether i am filming a tech launch in manhattan or capturing a campaign in a cenote, my goal is always to create a mood that feels lived-in and real.
when we collaborate, we start with the narrative. i do not just point and shoot. for films, we talk about the script, the story arc, and the reference styling, whether it is a noir thriller aesthetic or a brighter, romantic drama. we build a storyboard, scout the location, and then use the right tools, like the sony a1, leica glass, or drone rigs, to get the specific cinematic look you need.
on set, it is about collaboration. i am not just holding the camera. i am directing the movement, syncing with sound, and constantly reviewing the framing. for photography, i focus on light and shadow. street photography in nyc teaches you to react instantly, and i bring that same urgency to commercial sets. post-production is where the final polish happens. i do all my own color grading, aiming for that specific film emulation that gives my work its distinct, moody character.
if your brand needs something that feels authentic rather than staged, that is exactly where i thrive. you are not just getting a photographer. you are getting someone who wants to turn your product or service into a piece of visual art that actually connects with people.
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