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Media Features and Artistic Recognition

byHimanshu SrivastavaAvailable online and in-person across IndiaStarts from₹8,000 per sessionView full gallery

A collection of editorial coverage and interviews documenting my ongoing journey through Bharatanatyam, research, and Indian mythology.

I woke up to this wonderful surprise. An interview in The New Indian Express and The Morning Standard, which reaffirms my faith in my artistic journey. I am grateful for the opportunity to share my story.

I was deeply humbled and honored to be featured on the cover of Vrindavan Today. This was captured during a research trip for a festival, a journey that left me overwhelmed with new thoughts and inspirations from the sacred land of Vraj.

About Press & Publications

These features document the moments where my research into Indian mythology and classical dance meets public discourse. Rather than simple reviews, these articles explore the depth of my thematic productions and the philosophy behind my Nrityasewa, offering necessary context to the stories I strive to keep alive on stage.

Featured in The New Indian Express & Vrindavan Today — Approved by the tribe
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Himanshu Srivastava

Available online and in-person across IndiaStarts from ₹8,000 per session

I am Himanshu. My practice sits at the confluence of rigorous academic research and the intuitive expression of Bharatanatyam. I welcome inquiries from those looking to understand the philosophy behind our traditions, whether for performances or educational workshops.

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A screenshot of the headline from The Hindu, reviewing my performance at The Music Academy. I am humbled by the critic's kind words about my sensitivity to emotion and confident energy on stage.7
An excerpt from the review in The Hindu, detailing my 'netra abhinaya' or eye expressions. The critic highlights how my involvement in the performance turned a clinical varnam into a sensitive story.
This part of the review notes my scholarship, evident in the neatness of my adavus and the 'azhutham' or groundedness in my dance. This balance of lightness and groundedness is something I focus on deeply.
Another detail from the review, describing my portrayal of Tyagaraja. Capturing the subtle movements and emotions of a story is what makes abhinaya so powerful.

Press & Accolades

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Divya HoskereClasses at Kanakapura Road, Bengaluru
A review of my performance published on Narthaki.com by Satish Suri sir, describing my portrayal of the Nayika in a Varnam. I am ever grateful for such feedback.24
Another excerpt from the Narthaki review, detailing my performance of a Purandaradasa composition about the playful interaction between Lord Krishna and Yashoda.
The Narthaki review also mentioned the invocatory piece of my recital, a Dhyana Shloka to the Goddess Lalita.
The official poster for 'A Double Bill' event in Mangaluru, where I was honored to present a solo Bharatanatyam recital.

Press Reviews, Articles, and Announcements

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Navyashree K NBased in Bengaluru; Travels across India
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A review of my performance in The Hindu. It is always insightful to read a critical perspective on my work, especially when it acknowledges the nuances of abhinaya and bhakti-sringara in the compositions.
An article in The Indian Express about my Bharatanatyam recital. I am thankful to the journalists and critics who take the time to engage with my work and share it with a wider audience.
Speaking at a concert at NCPA Mumbai. Part of being an artist is sharing the context and stories behind the pieces, connecting with the audience not just through dance but also through words.

Bharatanatyam Awards and Performance Reviews

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AdithyaStudio in NRI Layout; Travels across Bengaluru & India
The official announcement for the YouTube premiere of my production 'Maam Pahi', released on the special occasion of Janmashtami.11
The promotional poster for my production 'SHE', which was released by three inspirational women on International Women’s Day and Mahashivaratri.
The official poster for my performance of 'Maam Pahi' at the Canvas Dance Festival in Bengaluru.

My Performances and Public Features

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Sushmitha SureshTravels for performances in Bengaluru & Chennai; Online choreography available
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The official "Save the Date" poster for "The Wheel of Choices." The dramatic blue-lit photo and clean typography create a professional and enticing announcement for the event.
The poster for my first workshop with Spicmacay, an organization dedicated to promoting Indian classical arts among youth. This was a dream come true and a wonderful opportunity to teach.

My Bharatanatyam Performances & Event Highlights

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Shreyasi GopinathAvailable for shoots across Delhi NCR and India
Receiving the UPASANA SAMMAN from senior Odissi dancer Geeta Mahalik, alongside retired Supreme Court Judge Shri Arijit Pasayat. It is an honor to be recognized by my peers.23
A moment of mutual respect with Shri Arijit Pasayat after receiving the award. Such honors are a source of great encouragement.
Being draped with a shawl by the esteemed dancer Geeta Mahalik as part of the felicitation. These traditional gestures of honor are deeply meaningful.
Sharing a light moment on stage with senior dancer Madhavi Mudgal during the Upasana Samman ceremony.

Accolades and Artistic Recognition

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Geeta ChandranIn-person training at Natya Vriksha Dance Company, Gulmohar Park, New Delhi

More from Educational Workshops & Lectures by Himanshu Srivastava

FeaturedSolo Dance ProductionsMythology on CanvasEducational Outreach & WorkshopsFestival Performances & CollaborationsNrityasewa: Offerings in Sacred SpacesThe Artist's Journey

More services by Himanshu Srivastava

Fine Art & Painting ServicesBharatanatyam Dance Performances
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