Cinematic & Commercial FPV Drone Projects

I don't just show up and fly. For film projects, I collaborate with your DoP to ensure my flight paths complement the camera movement rather than fighting it. I operate custom-built heavy-lift cinelifters that carry industry-standard cameras like the RED Komodo or Blackmagic Pocket, meaning you get cinema-grade 4K raw footage that fits perfectly into your final edit.

When you are shooting high-stakes commercials or music videos, the gear matters as much as the pilot. I move away from store-bought drones because they cannot handle the precision needed for complex sets.

My Approach to Commercial Shoots

• Custom Gear: I use custom-built cinelifters capable of carrying cinema cameras with zero vibration.
• Workflow Integration: I provide live HD monitoring so the Director and DoP can see exactly what I see in real-time, allowing for immediate adjustments.
• Stabilization: For standard action shots, I deliver footage processed through ReelSteady or Gyroflow for that signature FPV smoothness. For cinema-grade work, we focus on raw camera data.

I have worked on various sets, from high-speed motorcycle chases for brands like Royal Enfield to dynamic sequences in music videos for artists like Karan Aujla. My goal is to get the shot that the rest of the crew thinks is impossible. If the location is tight, requires high speed, or needs a unique, sweeping perspective, that is exactly where I thrive.

Practical Logistics

I am based in Delhi NCR and Chandigarh but I travel across India for projects. My team is small, agile, and self-sufficient, meaning we spend less time on setup and more time in the air. I bring backup rigs to every shoot to ensure we never have downtime, even if a drone takes a hit. If you have a specific creative vision, let's talk about the hardware we need to make it happen.