Capturing India's Vibrant Festival Traditions
From the gulal-filled streets of Nandgaon to the quiet devotion of local shrines, I document the pulse of India's festivals. No setups, just the raw energy of faith and colour.
A jet of red color explodes through a cloud of orange powder during Holi. Capturing these split-second moments of action is what makes festival photojournalism so thrilling.
A cloud of red gulal is thrown into the air, enveloping the crowd at Nandgaon. My focus is on capturing the texture and movement of color that defines the Holi experience.
A devotee throws colored powder over the crowd during Holi celebrations. The air becomes thick with color, creating a hazy, dreamlike atmosphere that I love to photograph.
A man prepares to throw a bag of colored powder into the crowd. This is a moment of anticipation just before the explosion of color, showing the energy of the festival.
A man stands amidst a cloud of yellow powder, illuminated by a ray of sunlight. These moments of dramatic lighting within the chaos are what I constantly search for.
Feet adorned with traditional anklets stand in a pool of red colored water. This detail shot tells a story of the celebration's intensity, focusing on an often overlooked aspect of the festival.
A man stands amidst a cloud of yellow powder, a central figure in the vibrant chaos of Holi. This image captures the feeling of being at the heart of the celebration.
An explosion of orange powder fills the frame, a testament to the wild and uninhibited joy of the Holi festival.
A crowd of devotees, drenched in red and yellow hues, celebrate with fervor. This shot captures the collective spirit and energy of the participants.
A high-angle view of the Holi celebrations, showing the dense crowd covered in a blanket of yellow and orange powder.
About Festivals of India: A Riot of Colour and Faith
Getting the shot during a festival requires knowing exactly where to stand before the chaos starts. I do not use flash or staged poses, instead I anticipate the movement of the crowd to frame candid reactions through the haze of colours. When you look at these images, you are seeing the festival exactly as it unfolded in front of me, not as a controlled photoshoot.
Shooting festivals in India is less about photography and more about understanding the flow of a crowd. Whether it is the wild energy of Holi in Nandgaon or the solemnity of rituals at a dargah, the objective remains the same, to capture the human story. My approach is purely documentary. I rely on Fujifilm mirrorless bodies paired with fast prime lenses like the 35mm f/1.4, which allow me to shoot in low light without needing intrusive flashes that kill the mood.
Festivals are dusty and chaotic, so gear choice is practical. I carry minimal setups to stay mobile, ensuring I can move through crowds to find the perspective that shows the scale of the event. I focus on post-processing that honours the original colours rather than drowning them in heavy, bright filters. This creates a raw, cinematic look that matches the intensity of the day. If you are looking for staged portraits where everyone poses for the camera, my style might not be the right fit. But if you want a visual record of an event that captures the energy, the grit, and the genuine moments of faith, that is exactly what I do.
Akshansh Kumar
I am Akshansh, and for me, the camera is just a tool to record the stories happening on the street. I spend my days chasing light in Delhi’s busy lanes and across India’s vibrant festivals. I prefer capturing reality as it unfolds, avoiding anything staged.
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