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Featured Work: Street, Aerial and Culture

byAkshansh KumarTakes projects across Delhi NCR; travels pan-India for shootsStarts from14,500 per session (4 hours)View full gallery

From the chaotic lanes of Old Delhi to the quiet serenity of Ladakh, here is a collection of moments I have documented. My approach focuses on real, unscripted stories rather than staged poses.

This aerial view captures the immense scale of devotion during Eid-ul-Fitr prayers at Delhi's historic Jama Masjid. As a licensed drone pilot, I aim to find perspectives that tell a larger story of community and faith.

In the heart of the chaos during Holi celebrations in Nandgaon, a moment of pure energy. I strive to be in the middle of the action to capture the authentic, explosive joy of India's festival of colors.

The innocent yet profound gaze of a young monk in Karsha, Zanskar Valley. For me, portrait photography is about connecting with a person's story and reflecting their spirit in a single frame.

The last light of day catches a ridge overlooking the serene Tso Moriri lake in Ladakh. My landscape work focuses on capturing the dramatic interplay between light, land, and atmosphere in remote locations.

A worker sorts spices in the shadows of Khari Baoli, Old Delhi. I used the dramatic shaft of light to highlight the human element that keeps this ancient market alive, a classic example of my documentary street photography style.

A cinematic drone sequence over Humayun's Tomb in Delhi. This video showcases how I use aerial videography to reveal the stunning symmetry and grandeur of India's architectural marvels.

Priests perform the Ganga Aarti in Banaras, a powerful ritual of fire and faith. My goal here was to capture the motion and spiritual intensity of the ceremony against the night sky.

An intense portrait from the Holi festival. The layers of red powder and the direct eye contact tell a story of complete immersion in the celebration, a moment where identity is masked by color.

About Featured

When I shoot in crowded places like Khari Baoli, I rely on fast prime lenses to isolate subjects from the noise. I do not set up scenes, so I often spend hours waiting for that specific shaft of light or the right movement to tell the story of a place, ensuring the images feel like genuine documentary moments rather than posed portraits.

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