Behind the Stage: My Bharatanatyam Rituals

People often see the polished result on stage, the precision of a Thillana or the intensity of a Varnam. But the reality is a whirlwind of logistics, sound checks, and that specific, grounding energy of the green room. I often spend the hour before the show entirely on my own, layering the traditional Aharya, which includes the costume and makeup. This helps me mentally transition from the stress of transit or setup to the stillness required for Abhinaya, the expressive part of the dance.

It is not a solo journey. You will often see me with my percussionists and fellow artists, the annas and jis who are the real backbone of these shows. We share stories, adjust microphones, and check lighting cues until the last minute. This connection is what makes the performance alive. Whether it is a solo recital or a group production with the Punyah Dance Company, that backstage bond directly translates to the energy we bring to the stage.

From the quiet of a temple in Chennai to the technical complexity of a concert hall in Canada, every venue demands a different kind of preparation. I usually arrive two hours early, not just to warm up, but to ensure the stage, sound, and lighting are exactly where they need to be for a seamless show.