Bharatanatyam Choreography
Punyah Dance Company Studio
I create Bharatanatyam choreography for soloists, groups, and full productions, handling everything from concept to stage with live music and detailed technique.
Pricing Guide
Solo Repertoire Training
Core Training
- 6 to 8 hours of private, one-on-one training sessions.
- Selection of one item from the existing Punyah repertoire.
- Rigorous correction of limb perfection (Angashuddhi), lines, and stamina.
Resources
- Access to reference videos for personal practice between sessions.
- Provision of practice-quality audio tracks (Nattuvangam + Music).
- Written Talam/Jathi notation sheets provided in English or Kannada.
Artistic Inputs
- Detailed breakdown of lyrical meaning and emotive expression.
- Consultation on costumes suitable for the specific piece.
Bespoke Solo Choreography
Conceptualization
- Ideation of a unique concept (Mythological, Literary, or Abstract) customized to the dancer.
- Collaboration with musicians to set the Jathis and musical structure.
- Fresh movement design tailored to the specific technical capability of the student.
Execution
- 12 to 15 hours of face-to-face sessions to set the choreography.
- Training on rhythmic calculations and Nattuvangam.
- Advice on stage lighting cues and entrance/exit strategies.
Deliverables
- Raw video recording of the choreography bits for reference.
- Exclusive rights to perform this choreography.
Group Ensemble Choreography
Design & Formations
- Creation of intricate floor patterns, diagonal lines, and circles.
- Specific exercises to ensure group synchronization and Talam perfection.
- Adaptation of pieces to fit the specific number of dancers.
On-Floor Training
- 10 to 12 hours of group rehearsals.
- Clean-up sessions to physically correct lines and angles for the group.
Production Support
- Consultation on color blocking and uniform design.
- Provision of a basic lighting script and cue sheet for stage technicians.
About Bharatanatyam Choreography
What Drives My Choreography
I’m a dancer before anything else. For me, choreography isn’t just steps and counts – it’s about telling a story that feels personal. Like I always say, Panchanga nodi bandira... adre... chennagi nodi bandira? (Did you check the almanac... but did you really look closely?). I want you to see the art, not just the outline.
My Process
Everything starts with a strong base in Bharatanatyam – rhythm (talam) and expression (abhinaya) are the core. Whether we’re building something totally new, or giving a twist to a classic, I care about both precise technique and a fresh vibe. I like to dig deep, not just repeat what’s been done.
What I Offer
- Full-scale productions: From mythological stories like Mitra to literary pieces like Nagamandala, I work with you from idea to stage. This includes conceptualising, group choreography, and shaping the whole stage feel – music, lighting, everything.
- Solo and group performances: If you’re prepping for arangetram or want a traditional Margam choreography, I got you. I help soloists or small groups build their custom Bharatanatyam repertoire for events or festivals.
- Group ideas: For student groups, I create items like Jathis, Krithis, or even solo Bharatanatyam narrative pieces.
The Teamwork Bit
I never do this alone. Working with a live orchestra – singers, mridangam, violin, flute – makes the dance come alive. These annas and jis are my backbone. We make sure the dance and music are genuinely in sync.
Where I Work
I’m based in Bangalore at Punyah Dance Company and Upadhye School of Dance, but I travel for workshops and productions – India, USA, Europe, wherever the art calls.
Aduthathu (next)... we see where this journey goes.
Meet your Expert
Adithya
293 connects in last 3 months
My Story
Hey, I’m Adithya, dancer and wanderer from Bangalore. My life swings between rehearsals, random travels and mad food hunts. One day I’m sweating it out in a studio, next I’m lost in a European city or chilling with a Tibetan Mastiff in Italy. All this – the places, the art, the animals – somehow sneaks into my dance. Keeps things real, keeps me on my toes, literally and otherwise.
My Work
Bharatanatyam Performances, Workshops & Choreography - I do solo and group recitals, run intensive Bharatanatyam workshops, and choreograph dance productions for all kinds of events.
My Artistic Approach - My dance is honest. No drama, just good abhinaya, whether it’s a Kamas varnam or something more experimental.
Teaching Style - Through Punyah Dance Company and workshops, I go deep into details, movement, and building a strong dance base.
The Power of Collaboration - I love working with musicians—vocalists, mridangam, flute—makes every show come alive in its own way.
