About Bharatanatyam Choreography

What Drives My Choreography

I’m a dancer before anything else. For me, choreography isn’t just steps and counts – it’s about telling a story that feels personal. Like I always say, Panchanga nodi bandira... adre... chennagi nodi bandira? (Did you check the almanac... but did you really look closely?). I want you to see the art, not just the outline.

My Process

Everything starts with a strong base in Bharatanatyam – rhythm (talam) and expression (abhinaya) are the core. Whether we’re building something totally new, or giving a twist to a classic, I care about both precise technique and a fresh vibe. I like to dig deep, not just repeat what’s been done.

What I Offer

• Full-scale productions: From mythological stories like Mitra to literary pieces like Nagamandala, I work with you from idea to stage. This includes conceptualising, group choreography, and shaping the whole stage feel – music, lighting, everything.
• Solo and group performances: If you’re prepping for arangetram or want a traditional Margam choreography, I got you. I help soloists or small groups build their custom Bharatanatyam repertoire for events or festivals.
• Group ideas: For student groups, I create items like Jathis, Krithis, or even solo Bharatanatyam narrative pieces.

The Teamwork Bit

I never do this alone. Working with a live orchestra – singers, mridangam, violin, flute – makes the dance come alive. These annas and jis are my backbone. We make sure the dance and music are genuinely in sync.

Where I Work

I’m based in Bangalore at Punyah Dance Company and Upadhye School of Dance, but I travel for workshops and productions – India, USA, Europe, wherever the art calls.

Aduthathu (next)... we see where this journey goes.