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Progressive Techno Residencies and Club Nights

byPranjal JoshiBased in Bengaluru; Available for gigs across IndiaStarts from15,000 Per Set (90-120 Mins)View full gallery

I build sets for the dance floor, moving from melodic progressive house to high-impact techno. If you are looking for a resident DJ who maintains a specific sonic identity, this is my zone.

A packed dance floor for my New Year's Eve set in Goa. I thrive on the energy of a full club, delivering high-impact techno and house music to keep the party going all night.

A professional shot of me at the decks during a club night. I'm experienced with the standard club setup, including Pioneer CDJs and mixers, ensuring a smooth performance every time.

The club is glowing red as I drop a progressive house track. You can see the crowd is completely into it, which is the ultimate goal of every set I play.

Snippets from a dark, smoky techno night at WL Club. This shows the more intense, trippy side of my music, perfect for underground parties and late-night rave experiences.

My 'Tears of Wizard' visuals lighting up the club. I often incorporate custom visuals to enhance the musical journey and create a more immersive atmosphere for the audience.

Behind the decks with my logo on the big screen. This was for a techno event in Bangalore, where I played a selection of my favorite dark and minimal tracks.

The poster for Nemesis, an event I played at Hyatt Centric, Bangalore. I'm often booked alongside international and local artists for premier house and techno nights.

A quick look at my setup and the vibe at a gig at Hyatt Centric. I'm comfortable playing in different club environments, from large rooms to more intimate spaces.

The crowd's energy is everything. Here's a view from my perspective, showing people dancing and enjoying the music during one of my club sets.

About Club Nights & Residencies

For these club sets, I operate exclusively on industry-standard gear—Pioneer CDJ 2000NXS2 or 3000s with a DJM 900NXS2 mixer. This setup is non-negotiable because it allows me to execute the complex 3 to 4 deck layering that defines my sound, ensuring the harmonic flow of the set remains completely unbroken from start to finish.

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