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Professional Studios for Ethnic & Festive Couture

byStudio AIRStudio space at Ghitorni, New DelhiStarts from24,000 per 10-hour shiftView full gallery

Whether you are shooting intricate bridal wear or contemporary festive collections, our studio provides a versatile canvas. With customizable cycloramas, controlled lighting, and ample space for heavy production equipment, we ensure your fabrics and embroidery stand out.

A stunning full-length shot for designer Aapro against a custom-painted deep blue cyclorama. This demonstrates how we can create a specific mood to match a collection's color palette.

A beautiful close-up portrait from the Aapro shoot, where the rich blue background complements the vibrant yellow of the ethnic wear.

The dramatic draping of this Aapro dress is highlighted by precise side lighting, showcasing the texture and flow of the fabric.

A full view of the Seona Draped Dress by Aapro, captured with a spotlight effect on our painted cyclorama for a theatrical and high-fashion look.

A clean, centered shot for Aapro's e-commerce catalogue, ensuring the product is displayed clearly and professionally.

Another catalogue-style shot for Aapro, providing a clear and well-lit view of the entire outfit.

The elegant silhouette of the Adila Wrap Dress by Aapro is beautifully captured in this full-length shot.

A powerful portrait from the Aapro campaign, where the model's pose and the rich colors create a striking image.

A side-profile shot of the Adila Wrap Dress, showing the garment from a different angle for a comprehensive lookbook.

The deep red of this Rosela Draped Skirt Set by Aapro creates a stunning contrast against the cool blue background.

About Ethnic & Festive Couture

The biggest challenge with ethnic shoots is getting the background to complement, rather than clash with, the intricate embroidery or rich fabric dyes. At our Ghitorni studio, you can skip the generic white and have our cyclorama painted to a specific Pantone or brand color that elevates your collection's mood, saving your post-production team hours in color correction.

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