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Cinematic & Editorial Portrait Photography

byShikhar ShuklaShoots across Mumbai; travels pan-India for projectsStarts from35,000 Per ShootView full gallery

I don't just take pictures; I build a world. These frames move beyond the surface to catch the raw, atmospheric moments that define high-end editorial storytelling.

A key example of my cinematic lighting style. We used a single, hard light source to create this artificial sunbeam, bathing actress Dipannita Sharma in a warm, story-rich glow.

This high-fashion, conceptual portrait is pure sartorial rebellion. Shot in a car at night, the vibrant colors and avant-garde styling create a powerful editorial statement.

The cover shot for Artells magazine. This raw, black and white beach portrait captures a feeling of untamed beauty, perfect for a powerful magazine cover.

An intense, sun-drenched close-up from the "To the waters" editorial in Artells magazine, showing the raw texture of skin and freckles.

An atmospheric editorial portrait exploring the space between two people. The cool, unified color palette and the subjects' gazes create a narrative of quiet contemplation.

A black and white version of a couples portrait, emphasizing the emotional distance and connection through stark contrast and composition.

An outdoor portrait session by the sea. The overexposed background and the subject's direct gaze create a serene yet powerful mood.

A fashion portrait with a timeless, painterly quality. The composition and soft lighting elevate the image, making it feel like a classic piece of art.

A delicate and ethereal portrait, using a sheer fabric to partially obscure the face. This technique adds a layer of mystery and softness to the image.

A raw and intimate black and white portrait taken on the beach. The natural setting and the subject's direct look create a feeling of authentic connection.

About Cinematic & Editorial Stories

A great editorial shoot is never a solo act. On set, I bring in a full crew—stylists, makeup artists, and lighting techs—to build the mood from the ground up. We are not just taking portraits; we are sculpting light and narrative. Whether we are using a Fujifilm GFX 100 for magazine-grade detail or creating artificial sunbeams in a controlled studio, the goal is always to create a cinematic image that holds its own on any billboard or cover.

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