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Divine & Spiritual Mehendi Art in Navi Mumbai

byPriya PhanaseTravels to client venues across Mumbai and pan-IndiaStarts from2,200 Per PortraitView full gallery

Bring a sacred touch to your celebrations with intricate portraits of divine figures. From Radha-Krishna to Swami Samarth, I capture your faith in detailed henna art.

Watch me bring a portrait of Shiva and Parvati to life on a client's arm. I use fine lines and shading techniques to capture their divine expressions and intricate adornments.

The completed Shiva-Parvati mehendi portrait. The halo effect and detailed clothing create a beautiful and reverent piece of spiritual art.

A stunning Radha Krishna portrait nestled in the palm of a bridal mehendi. The use of dark, bold lines makes the divine couple the centerpiece of the design.

A video showing the application of a Swami Samarth portrait. This type of spiritual portrait is very special to my clients, and I take great care to get the details right.

A powerful portrait of Swami Samarth on one hand, paired with a 'palkhi' design on the other. The fingers are adorned with 'swastik' symbols and the name 'Swami'.

A lovely, simple portrait of Vithal and Rukmini on the palm. Even in a smaller space, I focus on capturing the essence and grace of the divine figures.

A close-up of a Radha-Krishna scene on the forearm, depicted sitting on a swing (jhula). This is a classic and romantic portrayal, perfect for bridal mehendi.

A beautiful depiction of a woman performing a ritual, possibly Tulsi pooja. The design is framed by lotus motifs on the fingers, adding to the spiritual feel.

A portrait of the goddess Vitthal, with 'Aai Mauli' written above. This is a deeply personal and spiritual design for devotees.

A heartwarming depiction of Maa Yashoda with little Krishna. This design is perfect for celebrating motherhood, often chosen for baby showers.

About Divine & Spiritual Art

For these spiritual portraits, I use a stencil-transfer for the base outline to ensure the facial features and proportions are spot on. After that, I do the fine shading freehand using my 0.3mm tip cones to build that 3D depth. It is a slow process, but it makes sure the expressions look real, not just like a flat sticker.

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