Archival Framing for Fine Art
Your art is a story. Our archival framing ensures it stays that way, protecting every hue and texture from the effects of time and environment.
This S.H. Raza serigraph is a valuable print that requires the highest standard of care. We use museum-grade archival framing with UV-protective glass and acid-free materials to protect the delicate inks from fading, ensuring its artistic and financial value remains uncompromised.
Another iconic serigraph by a master artist, framed to perfection. The simple black frame allows the geometric forms and vibrant colors of the artwork to take center stage, demonstrating our philosophy of complementing, not competing with, the art.
This playful Ganesha serigraph is protected with a dark wood frame and an off-white mount, creating a classic presentation. Our archival methods are essential for preserving the rich, layered inks unique to serigraphy.
An M.F. Husain serigraph, known for its bold lines and dynamic energy. The frame we selected is clean and modern, ensuring the focus remains entirely on the master's iconic bull figure.
This serigraph of a horse by M.F. Husain is framed with a sleek black profile and a generous mount, giving the artwork breathing room. This technique enhances the piece's presence and draws the viewer's eye inward.
A colorful M.F. Husain serigraph depicting a flurry of horses. The dark wood frame provides a grounding contrast to the vibrant blues, reds, and yellows, making the colors appear even more vivid.
Thota Vaikuntam's art reimagined through zardozi embroidery is a unique treasure. We frame these textile masterpieces with deep-set mouldings and layered mounts to enhance their sculptural, three-dimensional quality while preserving the delicate threads.
Another stunning zardozi work after Thota Vaikuntam, where our framing choices—a dark wood frame and a multi-layered white mount—highlight the rich colors and tactile nature of the silk and velvet threads.
This pair of smaller zardozi portraits is framed individually but designed as a diptych. The matching dark wood frames with gold inlay create a cohesive and elegant presentation, perfect for displaying as a set.
A close-up of a framed zardozi piece, showing how the deep, layered mount creates a shadow box effect. This not only looks sophisticated but also keeps the glass from touching the delicate embroidery, a key conservation practice.
About For the Collector: Archival Framing for Fine Art
When you bring a piece to us, the first thing we look at isn't the frame—it's the medium. A serigraph needs different breathing room than a zardozi embroidery or an oil painting. We avoid standard glass for anything of value because it traps humidity and allows UV light to fade pigments over time. Instead, we use archival mounts that keep the artwork physically separate from the glass, ensuring the piece remains in its original condition for years.
Beyond the Border
We see a frame as a shield. Since 1987, our work at Painted Rhythm has evolved beyond simple aesthetics into the realm of conservation. Whether you are dealing with a master serigraph or a delicate textile, our approach is always the same: first, do no harm.
The Archival Difference
- UV Protection: Our Museum-Grade glass blocks 99% of harmful UV rays. Without this, even a short time in a sunlit room can cause pigments to shift or fade.
- Acid-Free Environment: We use alpha-cellulose and cotton rag mounts. Cheap mounting boards contain acids that eventually burn the edges of your art, creating that tell-tale yellow stain. Our materials are completely pH-neutral.
- Reversibility: A true conservation frame allows the art to be removed exactly as it was found. We use photo corners and hinges rather than glue, ensuring the integrity of the artwork remains untouched for future generations.
Specialized Care
We treat every medium differently. For zardozi or heavy textiles, we construct deep-rebate shadow boxes that provide depth without compressing the fabric. For works on paper, we utilize double-matting and spacers to ensure the glass never touches the art surface, allowing the paper to expand and contract with Mumbai’s humidity without buckling.
If you have a piece that feels special, bring it to our Khar West gallery. We aren't just selling you a moulding; we are building a protective environment for your collection.
Painted Rhythm Art Gallery
We are a family of curators and architects who believe your walls are meant to breathe. Since 1987, we’ve treated every piece as a legacy to be protected, not just an object to be displayed.
Let's find the right frame for you.
You can search for specific framing styles, conservation techniques, or types of art objects.
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