About Photoshoot & Editorial Makeup

My Take on Camera-Ready Makeup

When it comes to makeup for photoshoots, I think of it as teamwork. The final look is about you, the photographer’s lighting, the moodboard, and that one story we’re all trying to tell. Sometimes bold, sometimes super subtle - but always expressive and real.

Signature 'Unreal Skin' Finish

I’m known for what I call the ‘unreal skin’ finish. Basically, your base looks flawless on camera but still feels light, not cakey at all. I use color correction for uneven tones, strobe creams if we want dewy editorial makeup look, and blend till it’s just right. You’ll look filtered, but it’s all real.

Versatility in Style

• High-fashion photoshoot glam for editorials - bold, creative, sometimes wild, sometimes old-school glam.
• Clean, commercial looks for brands and lookbooks (worked with labels like Suta Bombay, Andham).
• Natural flawless skin makeup for portfolios, celebrities, or anyone who wants to keep it dreamy or dramatic.

For Every Skin Tone

Doesn’t matter if you’re super fair or deep brown. I work on all skin tones, making sure the finish never looks grey or ashy. My kit’s fully loaded for every shade, so everyone gets their moment.

More Than Makeup

I step in with styling too, if needed. I like seeing how makeup, hair, and outfit come together on set. I work fast (shoots can be madness!) and I’m here for all the last-minute fixes.

When you see yourself in the mirror and feel like "khup chhan disnar aahe mi" (I’m really going to look good), that’s my best review.