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Studies in Form: Grisaille, Monochrome, and Figure Art

byJuhi KumarLive sittings in Delhi NCR; Accepts commissions across IndiaStarts from4,000 per artworkView full gallery

Before I add color, I focus on the structure. This collection shows my deep-dive into grisaille, figure studies, and charcoal work—the essential steps where I learn how light truly hits a surface.

A full figure painting of our model Rama, done in oil against a vibrant red backdrop. This was a challenging but enjoyable live session where I focused on capturing her pose and the dramatic lighting.

Here is the live setup for the figure painting session with Rama at the Uchhan art gallery. You can see my painting on the easel next to her as she holds her pose.

The initial block-in of the figure painting. This stage is all about establishing the composition and the major shapes of light and shadow before refining the details.

A figure study in oil on linen from a five-and-a-half-hour session with a wonderful Spanish model. I am so grateful for the opportunity to paint live and learn from fellow artists.

Another pose from the same figure study session. Here, I explored a reclining pose, focusing on the interplay of light on the form and the texture of the pink drapery.

A study of the figure from the back, also in oil on linen. These sessions are invaluable for practicing anatomy and understanding the human form from all angles.

The group of artists at the end of our figure study weekend, all proudly holding up our work. It's amazing to see so many different interpretations of the same model and poses.

Another group photo from our figure study session. The sense of community and shared learning in these events is incredibly inspiring and rewarding.

A figure study in oil on linen, practicing what I learned in a workshop. This is the underpainting, focusing on drawing and value before adding color. The reference is from the Florence Academy of Art.

A figure drawing in charcoal on paper, based on the same pose. Drawing is fundamental to my practice, and studies like this help strengthen my understanding of anatomy and form.

About Studies in Form: Grisaille, Monochrome, and Figures

When I paint a grisaille or a figure study, I am looking for the 'truth' of the form—how the light falls and where the shadows naturally curve. This isn't just a sketch; it is the fundamental structural work that makes my final oil portraits look grounded. By removing color, I force myself to master values, ensuring that when I do pick up a brush, the composition is already rock solid.

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