Commercial Makeup & Hair for Advertising Campaigns in Mumbai
Reliable, camera-ready makeup and hair for your next project. From high-fashion editorial catalogues to TVC sets, I keep your talent looking fresh through long hours and changing conditions.
A behind the scenes glimpse from the Nexxus hair commercial with Sobhita Dhulipala. My role was to create effortless, healthy-looking hair that showcased the product's benefits, along with a minimal makeup look to keep the focus on her natural beauty.
This reel showcases the final looks from the Nexxus hair campaign. I worked on creating luxurious, voluminous waves that had beautiful movement on camera, reflecting the high-end quality of the hair product.
I had the pleasure of doing the hair for Preity Zinta for this L'Oréal Professionnel campaign. The goal was to create strong, healthy, and beautifully styled hair that looked powerful and sophisticated, matching the campaign's "Strength in Every Bond" message.
A shot from the S&N by Shantanu Nikhil campaign featuring Alaviaa Jaaferi. I styled her hair with a simple white headband to create a clean, preppy look that complemented the brand's sporty yet chic aesthetic.
Another look from the S&N campaign, showing the full ensemble. The hair was kept simple and polished to fit the sophisticated, athletic vibe of the collection.
A candid, joyful moment from the S&N by Shantanu Nikhil shoot. The natural-looking hair and makeup were designed to hold up during an active outdoor shoot while looking effortlessly beautiful.
This is the campaign video for the S&N Cricket Club collection. I was responsible for the hairstyling, creating sleek and chic looks that fit the high-fashion, sporty theme of the brand.
For this Livon Style Pro ad, I created a fresh, "no-makeup" makeup look. The focus was on enhancing the model's natural features to complement her beautiful, bouncy curls, ensuring the final look was all about healthy, happy hair.
This was another commercial for Livon, where the makeup needed to be clean, radiant, and natural. I created a subtle look that highlighted the model's features without distracting from the smooth, strong hair being showcased.
About Commercial & Advertising Campaigns
Shooting in Mumbai often means battling humidity and harsh studio lights, which can wreck makeup in minutes. I focus on skin prep and specific layering techniques that actually hold up, so your crew doesn't waste precious production time on constant touch-ups. I'm comfortable with the pace of professional sets, whether we are doing a quick catalogue shift or a long, demanding TVC day.
My approach to commercial work is simple: the makeup should support the brand's vision without distracting from the product. Over the last 14 years, I have worked on everything from Nexxus hair commercials to S&N by Shantanu Nikhil campaigns, which taught me the importance of continuity. When you are on set, you need an artist who monitors the monitor. I stay alert for shine, stray hairs, and foundation shifts that happen under hot lights, correcting them before the director even needs to ask.
Why my commercial services work for your set:
- 4K/HD Readiness: I use premium brands like Dior and Makeup Forever to create a 'second skin' finish that holds up even under close-up shots. No visible texture, just clean, radiant skin.
- Versatility: Whether you need a 'no-makeup' makeup look for a skincare ad or high-impact, bold glam for a fashion editorial, I adapt to your mood board.
- Technical Consistency: I provide hair and makeup that survives 8-10 hour days. I understand the mechanics of continuity, making sure every look stays identical from the first shot to the last.
- Logistics: I am accustomed to working with creative teams and directors. I know when to step in for a quick fix and when to step back so the shoot keeps moving.
If you have a project coming up in Mumbai, reach out. We can discuss your creative brief, technical requirements, and schedule.
Krystal George
I have spent the last 14 years on sets ranging from high-fashion catalogues to full-scale ad films. I know that when the camera is rolling, the last thing you need to worry about is shine or flyaways. My goal is to make your production flow smoother by keeping the talent looking camera-ready, no matter how long the shoot runs.
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