DJing for Dance Battles & Events
From underground cyphers to major national stages, here is a look at the energy I have brought to dance battles across India.
I was thrilled to be on the DJ lineup for the Indian Popping Festival Vol-4 in Delhi. It's one of the biggest popping celebrations of the year, and I was ready to bring the perfect vibes for it.
Here's the poster for House of Dance Vol 2, where I was one of the official DJs. This event featured multiple categories like Popping, Hip-Hop, and Tutting, and I curated the music for each style.
A closer look at my feature for the House of Dance battle. I was spinning tracks for the Hand Style and 7 to Smoke Tutting categories, which require a very specific kind of musical selection.
This is my individual feature poster for the Rishikesh 'Dance Cation'. It was an amazing experience to be the official DJ for a multi-day dance vacation filled with workshops and parties.
I was on deck for this exclusive after-party at a farmhouse. These events go all night, and my job is to keep the energy high from sunset to sunrise with non-stop beats.
I had the opportunity to DJ at Kalayug 'The War of Art' in Kota, Rajasthan. It's always great to travel and connect with different dance communities across India.
Another poster for the 'Dance Cation' in Rishikesh, showing the full lineup of artists. Being part of such a diverse and talented group is always inspiring.
This poster for an exclusive in-house battle. I often play for private dance studio events, providing the right atmosphere for students to showcase their skills.
A duplicate poster for the PDSP in-house battle, highlighting my role as the DJ. These events are crucial for building up the next generation of dancers.
I teamed up with another DJ for this after-party. Collaborative sets are always fun, as we get to bounce ideas off each other and create a unique musical journey for the crowd.
About Event Gallery: Posters & Lineups
Most DJs just play music, but a battle DJ needs to understand the dancer's flow. I watch the footwork and the rhythm, and I select tracks that actually challenge the competitors, whether it is 7-to-smoke or a crew battle. It is about building a narrative, not just playing a standard set.
When I am behind the decks at a battle, I am not just hitting play. I am looking at the dancers. My job is to control the room, manage the tempo for judges, and keep the energy high during prelims, knockouts, and finals. I bring a dancer's discipline to this, which means I know the musicality required for categories like Popping, Hip-Hop, and Tutting.
My sets are carefully curated. I dig for tracks, building playlists for practice nights, which helps me understand exactly what makes a body want to move. I do not do standard Bollywood wedding mixes. If you are looking for an expert for a cypher, a studio battle, or a high-energy dance party, you need someone who understands the culture and the cues.
From playing at the Red Bull Dance Your Style National Final to the Indian Popping Festival, my approach remains consistent: pure energy and precision. I bring my own gear, I coordinate with the Emcee in real-time, and I make sure the music never loses momentum. Whether you are hosting an event in Delhi or elsewhere in India, I show up prepared and focused to lift the whole room.
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