Holi in Braj: Drone Photography and Cinematic Festival Coverage
I document the divine chaos of Holi in Mathura, Vrindavan, and Barsana. Using my drone and camera, I capture the energy of this festival from the skies and the streets.
An aerial reel showcasing the famous Holi festival of Nandgaon and Barsana. The drone footage captures the explosion of colors and the massive crowds, giving a sense of the scale and energy of this incredible celebration.
This drone video shows the Holi celebrations at Nandgaon temple from directly above. You can see the courtyard filled with people and a storm of colored powder, a truly unique perspective on the festival of colors.
Amidst the frenzy of Holi, I captured this moment of serene joy on an elderly man's face. His beard is colored blue, and his expression is one of pure bliss, a reminder that peace can be found even in the midst of chaos.
An aerial glimpse of Nandgaon, the village where Lord Krishna spent his childhood. This drone shot, captured just before Janmashtami, shows the temple and the surrounding town, setting a divine scene.
A kaleidoscope of colors from the sky. This is my drone shot of Holi at Nandgaon Temple, where the swirls of gulal create a living piece of art, symbolizing love, unity, and celebration.
This top-down drone shot of Holi in Vrindavan is one of my signature clicks. It captures the divine chaos and vibrant energy as people come together in a swirling vortex of color and joy.
An aerial view of Nand Bhavan in Nandgaon, the historic residence of Lord Krishna's foster father. This drone shot captures the temple complex where the famous Lathmar Holi celebrations take place.
About this collection
When I shoot Holi in Mathura or Barsana, I am not just standing on the sidelines. I am up at sunrise with my DJI Mini 3 Pro to catch that first light hitting the temples, then moving into the crowd for the ground-level portraits. My gear, including the Sony ZV-E1 and Tamron lens, is weather-sealed and ready for the gulal, so we do not have to worry about the dust while you focus on the prayer.
Shooting Holi in the Braj region is different from any other event. It requires a mix of patience, respect, and a willingness to get messy. My goal is to capture the spirit of the celebration, from the high-energy Lathmar Holi to the serene expressions of devotees in the temple courtyards.
My process involves:
- Aerial Storytelling: I use the DJI Mini 3 Pro for top-down shots that reveal the true scale of the celebrations in Nandgaon and Barsana. These shots provide a unique perspective on the swirling colors and the crowd dynamics that you just cannot get from the ground.
- Ground Coverage: My Sony ZV-E1 setup is lightweight and perfect for moving quickly through tight lanes. I focus on candid moments—a laugh between friends, a splash of color on an elderly devotee's face—rather than forced poses.
- Technical Reliability: Festivals can be harsh on equipment. I carry weather-sealed gear and backup batteries to ensure that the 6 to 12-hour coverage remains uninterrupted, regardless of the heat or the volume of color powder.
I deliver cinematic reels with high-quality ambient audio mixed with sound design to transport you back to the event. Turnaround is typically 7 to 10 days for photos and edits. If you are planning a trip to document these festivities, let me know your dates early so I can manage my travel logistics.
Bean Singh
I am Bean Singh. I did not learn photography in a classroom—I learned it on the ghats and in the chaotic, colorful lanes of places like Vrindavan. When I am not out chasing the next story in the Himalayas, I am here, documenting the heartbeat of India’s festivals, one frame at a time.
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