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Behind-the-Scenes Film and Character Styling Portfolio

byHarshstyleTravels across India for shoots and productionsStarts from4,500 Per Artist / Per LookView full gallery

From movie sets to live stage performances, I pour my soul into every character I style. Here is a look at the chaos, the magic, and the transformations I live for.

Transforming the amazing Ali Asgar sir into his iconic 'Buwaa' character for a TV series. For me, makeup is about giving life to a role, and this was a special one where I handled both the makeup and the hair draping to complete the look.

It was my saubhagya, my good fortune, to get the chance to create the look for young Lord Ram. This is a behind the scenes video of me applying the mythological makeup for a devotional music video.

This is what a crazy day on a Delhi film set looks like. We had to get 2,000 junior artists camera-ready in just two hours. It's all about speed, teamwork, and having an eyebrow pencil in one hand and a lipstick in the other.

On set with the one and only Ajay Devgn sir for the film "Raid 2". Working on major Bollywood productions and with such legendary actors is a dream come true and an incredible learning experience.

The official poster for the film "Munda Rockstar". I worked on the makeup for the cast, helping to create the edgy, high-energy look for this musical thriller. It's an amazing feeling to see our work on the big screen.

Sometimes on set you have to do a little bit of everything. Here I am helping the wonderful Bharti Singh with her hair. Being a production artist means being a team player to get the perfect final shot.

A glimpse into the process of creating a traditional look for a live stage performance. This video shows the detailed application of makeup for a mythological character, designed to be expressive and vibrant for the audience.

About Featured

When I am on set, it is not just about the makeup. It is about the prep and the pressure. Whether I am managing 2,000 junior artists in a two-hour window for a film shoot or detailing the mythological look for a music video, I focus on durability and character essence. My kit is stocked for 12-hour shifts because I know the camera needs consistency, not just a pretty face that fades.

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