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Special Projects, Press, and Archival Exhibitions

byCop ShivaExhibitions at gallery in Wilson Garden and venues across BengaluruStarts from35,000 Per SessionView full gallery

A look back at the milestones, public art installations, and conversations that have shaped my journey as a curator and artist.

A wide view of the 'Parimala Prasada' photo series by Pushpamala N, acquired by and installed at Terminal 2 of Kempegowda International Airport Bengaluru. I am proud to facilitate such significant public art placements.

A close-up of three prints from Pushpamala N's 'Parimala Prasada' series at the airport. The series reimagines vintage studio photography to explore themes of female friendship and modernity.

A video showing the installation of Pushpamala N's work along the brick-walled corridor of the airport terminal, bringing contemporary art to a vast public audience.

A feature article in The Hindu about Clare Arni's 'Southern Stars' exhibition. Press coverage is essential for sharing the stories of our exhibitions with a wider audience.

An article in the Indian Express on the 'Southern Stars' show, highlighting its nostalgic and interactive nature.

A page from The Hindu's article on the 'ME, AMMA, WE' exhibition, detailing the touching story of the mother-son artist duo.

A feature in Indulge, the magazine from The New Indian Express, on Archana Hande's 'WEAVING LIGHT' installation.

A newspaper clipping from The Telegraph, Kolkata, featuring Vivek Vilasini's 'Last Supper' at an exhibition in the Indian Museum.

An untitled acrylic on canvas painting by Raghu Kondur, showcasing his surreal style that often features repeating figures in vast landscapes.

Another view of the 'Parimala Prasada' installation at the Bengaluru airport.

About From the Archives: Special Projects & Press

Every project documented here, from the 'Parimala Prasada' installation at Kempegowda International Airport to in-depth features in The Hindu, represents a deliberate choice to bring contemporary art into the public consciousness. These aren't just accolades; they are markers of moments where we transformed static spaces into active stages for storytelling.

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