Special Projects, Press, and Archival Exhibitions
A look back at the milestones, public art installations, and conversations that have shaped my journey as a curator and artist.
A wide view of the 'Parimala Prasada' photo series by Pushpamala N, acquired by and installed at Terminal 2 of Kempegowda International Airport Bengaluru. I am proud to facilitate such significant public art placements.
A close-up of three prints from Pushpamala N's 'Parimala Prasada' series at the airport. The series reimagines vintage studio photography to explore themes of female friendship and modernity.
A video showing the installation of Pushpamala N's work along the brick-walled corridor of the airport terminal, bringing contemporary art to a vast public audience.
A feature article in The Hindu about Clare Arni's 'Southern Stars' exhibition. Press coverage is essential for sharing the stories of our exhibitions with a wider audience.
An article in the Indian Express on the 'Southern Stars' show, highlighting its nostalgic and interactive nature.
A page from The Hindu's article on the 'ME, AMMA, WE' exhibition, detailing the touching story of the mother-son artist duo.
A feature in Indulge, the magazine from The New Indian Express, on Archana Hande's 'WEAVING LIGHT' installation.
A newspaper clipping from The Telegraph, Kolkata, featuring Vivek Vilasini's 'Last Supper' at an exhibition in the Indian Museum.
An untitled acrylic on canvas painting by Raghu Kondur, showcasing his surreal style that often features repeating figures in vast landscapes.
Another view of the 'Parimala Prasada' installation at the Bengaluru airport.
About From the Archives: Special Projects & Press
Every project documented here, from the 'Parimala Prasada' installation at Kempegowda International Airport to in-depth features in The Hindu, represents a deliberate choice to bring contemporary art into the public consciousness. These aren't just accolades; they are markers of moments where we transformed static spaces into active stages for storytelling.
Archives are more than just a history of what we have done; they are a record of how we connect with people. When I look back at the 'Southern Stars' exhibition or the 'ME, AMMA, WE' series, I see the dialogue between the work and the viewer.
Why Public Art Matters
Bringing art into spaces like the Bengaluru Airport isn't just about decoration. It is about interruption. When travelers pause between flights to look at Pushpamala N's work, that is the moment art stops being a luxury and becomes part of the shared human experience. This is what I strive for in every curation—turning the 'private' gallery setting into something accessible and resonant.
What These Records Tell You
- Collaborative Process: The press coverage, whether in the Indian Express or Art and Design Dimensions, highlights how I work with artists. It shows the layers: the theatrical staging, the research, and the physical installation.
- Enduring Narratives: From the 'Last Supper' installation in Kolkata to local shows in Wilson Garden, these archives prove that a well-told story, regardless of the medium—photography, prints, or immersive installations—stays with the audience long after the exhibition ends.
If you are interested in how we might bring a similar narrative depth to your own space, exhibition, or art collection, let’s talk. I am always looking for new ways to bridge the gap between complex contemporary art and the people who see it every day.
Cop Shiva
I am Cop Shiva. I don’t just hang art on walls; I try to turn galleries into stages for stories that might otherwise be forgotten. Whether it’s a quiet show in Wilson Garden or a public display at the airport, my work is about making sure these narratives have a place to live.
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