Taking South Asian Contemporary Art to Global Stages
A gallery booth acts as a stage for storytelling. I bring narratives from our soil to international venues like Seattle and Mumbai, turning temporary spaces into deep, immersive conversations.
A view of our booth at Art Mumbai, showcasing a diverse range of works including sculptures by Arunkumar H G and Venkat Bothsa, and embroidered works by Archana Hande.
Our booth at Art Mumbai, ready for visitors. The curation balances large photographic prints, intricate sculptures, and delicate works on paper to create a dynamic presentation.
Visitors at our booth at the Seattle Art Fair. The display includes a mix of paintings, textile art by the Siddi Quilters, and sculptures, offering a snapshot of contemporary South Asian art.
The 'Triumphant Skywalker' bronze sculpture by Tsherin Sherpa, a featured piece at our Seattle Art Fair booth. His work blends Himalayan iconography with modern mythmaking.
One of my own photographic works from the 'No Longer a Memory' series, presented at the Seattle Art Fair. It was an opportunity to share my personal story with an international audience.
A vibrant hand-stitched textile by Anitha N Reddy and Husenbi Jamadar of the Siddi Quilters. Showcasing collaborative and community-based art practices is an important part of my curatorial focus.
A powerful photographic work by Aishwaryan K, 'Mul Anduma II', which explores queer identity through ceremonial attire. This piece was a highlight of our presentation in Seattle.
Visitors admiring a colorful painting by Senaka Senanayake at our Seattle Art Fair booth.
A corner of our Seattle Art Fair booth, featuring a sculpture by Cop Shiva and mixed media works.
An exterior view of our booth at the Seattle Art Fair, showing how the artworks draw visitors in.
About Art Fairs: Taking Stories Global
Presenting art at an art fair is about creating a moment of stillness in a busy hall. When I organize a booth at the Seattle Art Fair or Art Mumbai, my goal is to transform that small, temporary footprint into a conversation. I balance the space by mixing mediums, placing large photographic prints alongside bronze sculptures or delicate textiles, to ensure that each artist's work speaks clearly without being drowned out by the noise of the fair.
Organizing these booths requires more than just hanging pieces on white walls. It starts months in advance with a selection process, identifying which works from my gallery will engage an international audience. I focus on bringing together a mix of contemporary South Asian talent, from the iconic bronze works of Tsherin Sherpa to the hand-stitched quilts of the Siddi women.
The logistics are complex. I manage the safe transit of pieces through climate-controlled vehicles and coordinate with art handlers to ensure everything arrives in perfect condition. Once the crates are open, the setup begins. I spend hours on the floor, measuring and adjusting lighting so the narrative of the booth unfolds naturally as a visitor walks by. Whether it is an intimate watercolor by Lakshya Bhargava or a powerful installation by Surekha, my aim is to make the booth a destination where people stop, look, and ask questions about the stories we share from our region.
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