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Hanghatik & Festival Stages: Big Energy for Your Events

byDJ PanicBased in Bengaluru; Available for events across IndiaStarts from35,000 per night (approx 4-5 hours)View full gallery

You’ve seen the clips from Hanghatik and the main stages at Steppinout. Whether it’s a festival crowd of thousands or an exclusive night, I build the production to make it loud.

This promo video captures the hype for the 15th-anniversary edition of Hanghatik. It showcases the artist lineup and high-energy visuals I use to promote my biggest events.

The official poster for the 15 Years of Hanghatik celebration. This event, known as the 'Biggest Northeast Night', shows my experience in curating multi-artist, festival-style lineups.

The official date-wise lineup for the Steppinout Music Festival. Being featured alongside international artists like Offset and Troyboi highlights my position in India's top-tier festival circuit.

My official artist poster for the Steppinout Music Festival. Professional branding is key, and I ensure my promotional materials match the scale of the event.

The main stage at the Steppinout Music Festival, with massive pyrotechnics. I'm experienced in performing on and managing the energy of large-scale festival productions.

A wide shot of the massive crowd at the Steppinout festival. I know how to command a huge audience and deliver a set that keeps thousands of people moving.

A behind-the-decks view at the Artist Connect Dance Music Festival. This shot shows the scale of the outdoor venue and the crowd I'm about to play for.

On the decks at the Artist Connect Dance Music Festival, surrounded by a professional stage setup. I'm comfortable and experienced with large-scale sound and lighting systems.

Checking out the incredible graffiti art at Rolling Loud Thailand. Attending major international festivals like this helps me bring back fresh ideas for event concepts and design.

About Hanghatik & Festival Stages

When you book me for a festival stage, it’s not just about showing up with a laptop. I handle the entire flow—from the lineup of artists and B-Boy crews to the pyrotechnics, sound engineering, and stage visuals. I’m on the mic making sure the crowd energy stays at 100 from the first drop to the encore.

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