Live Looping, Beatboxing & Fire Shows

Here’s a look at my creative process. I build entire tracks from scratch using just my voice, a microphone, and my RC-505 loopstation. Every beat, bassline, and melody is layered live to create original electronic music, often in genres like Techno or Progressive.

When fire isn't an option, I switch to my LED pixel poi. These create hypnotic, trippy light patterns and graphics that sync with the music. It's a different kind of visual magic, perfect for indoor venues and festivals.

The contact staff is one of my favorite props. This clip shows me practicing on a Goa beach during the day and then spinning a fire staff at night. The staff flows and rolls across my body, making it a very dance-like and connected performance.

Here I am on stage, competing in the loopstation category of a national beatbox championship. Performing under pressure in front of judges and a live audience is a huge rush, and it pushes me to constantly level up my live looping skills.

Some of the best moments are unplanned. This is a shot from a rooftop jam session in Bangalore, where I'm beatboxing alongside a guitarist and another vocalist. I love collaborating with other musicians to create something new in the moment.

This is the kind of environment my act is made for. A massive psytrance festival stage in Goa, with incredible visuals and a crowd that's ready to go on a journey. I perform at and attend many festivals like this, and the energy is everything.

Getting the hang of the fire contact staff. Unlike poi, the staff feels like a dance partner, rolling across my arms, neck, and back. It’s a constant challenge, but the feeling of nailing a new move with fire is unbeatable.