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My Hindi R&B, Pop and Folk Fusion Sound

byTrishita RecsStudio in Mumbai Metropolitan AreaStarts from22,000 per song (up to 4 mins)View full gallery

I blend Hindi R&B, pop, and folk to create music that feels like a conversation. Whether you need a full track or a soulful hook, let’s make something real.

My journey with Hindi R&B started during the pandemic. This video explains how the genre became a source of comfort for me and inspired me to create "Tasveer," a song that blends my roots with the R&B sound I love.

When a song has an extremely "saxy" vibe, you just have to feel it. This clip is me vibing to the incredible saxophone solo in my song "Tasveer," showcasing how instrumentation can define a track's mood.

I love blending different musical worlds. Here's my take on what happens when Jazz meets Hindustani Classical, a fusion experiment inspired by the amazing Chandana Bala Kalyan.

This is an example of toplining, where I wrote and performed lyrics over a pre-existing melody. For this collaboration, I explored a Nu-Blue genre in Hindi, showing my ability to adapt to different styles.

A promotional clip for my song "Tasveer," which was submitted for consideration in several global music categories. This highlights my work in the Hindi R&B and pop space on an international level.

This is the announcement for "Prem Ke Saagar," a sexy, modern track I co-wrote and co-produced. It's a perfect example of my work in creating contemporary, mood-based Hindi pop songs.

If your vibe is moody, dreamy, and melancholic, you'll connect with my song "Kyun Duur". This track showcases my ability to create atmospheric and emotional soundscapes through songwriting and vocals.

My song "Aadatein" is about letting the right person in. It's a romantic, hopeful track that has resonated with many listeners, showing my ability to write about love and vulnerability in a relatable way.

About My Sound: Hindi R&B, Pop & Folk Fusion

When I’m in the studio, it’s all about the 'feel'. I’m not just chasing technically perfect notes. If a track needs a hint of Rabab or a bit of Bollywood Jazz to sit right, we add it. I work closely with you to ensure the final master isn't just broadcast-ready but actually sounds like you.

I don't believe in sticking to rigid formulas. My sound is a mix of Hindi R&B, indie-pop, and Indian folk, where I might throw a Rabab into a pop song or try to make Jazz meet Hindustani classical just to see if it works. It’s an experiment every time, and that’s the fun part.

My Approach to Your Sound

Whether you’re a producer needing a topline, or a brand looking for a 60-second jingle, I treat every project with the same level of detail. I spend hours in the studio, and yes, you might hear me say things like 'bhai, woh chiki chiki guitar zyada karo' (hey, turn up that clean guitar) until the vibe hits just right.

What I Bring to the Table

  • Songwriting: I write in Hindi, Urdu, and Hinglish. I love exploring moods, from sad and melancholic to upbeat and sexy.
  • Studio Vibes: I handle everything from full track creation with a band to minimalist acoustic arrangements with just a ukulele. If you have an idea, we can shape it together.
  • Collaborative Spirit: I’ve done playback for Netflix and ads for big names, but I love working on indie projects just as much. I’m hands-on with mixing, arranging, and getting the vocal delivery that fits your brand or personal story.

My goal is to create music that resonates. If you want a song that feels honest and has a bit of soul, let’s get into the studio and make it happen.

Netflix playback singer and songwriter.Approved by the tribe
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Trishita Recs

Studio in Mumbai Metropolitan AreaStarts from 22,000 per song (up to 4 mins)

I’m a small-town girl living in Mumbai, chasing falsettos and spending way too much time obsessing over guitar textures. I write in Hindi and Hinglish because that’s how I think, blending R&B grooves with melodies that feel like home. If you want a song that sounds like you and not just a carbon copy of the latest trend, we will get along just fine.

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