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The Doors of Maharashtra

bySanket KhuntaleAvailable for documentary assignments across IndiaStarts from25,000 per sessionView full gallery

I find stories in the details that are often overlooked. Each door, with its unique texture, color, and state of decay, represents a piece of history and the lives lived behind it.

A weathered wooden door framed by an ornate, hand-carved blue border stands out against a yellow wall. The decay at the bottom hints at the countless seasons this beautiful entrance has endured.

Set against a brilliant blue sky, this rustic wooden door is part of a crumbling stone structure in Kuldhara, Rajasthan. The scattered stones in the foreground add to the feeling of a place forgotten by time.

A vibrant blue door provides a striking contrast against a weathered yellow wall. This simple yet powerful composition highlights the bold use of color in traditional Indian village architecture.

This heavily textured blue door shows years of wear, with layers of paint peeling away to reveal the wood beneath. The rustic locks and bolts add to its vintage, authentic character.

A rustic wooden door held together by brightly colored patches of blue paint. The small, handmade tassels hanging above add a personal touch to this weathered and repaired entryway.

A weathered green door is set within a rough, turquoise-painted stone wall. A bicycle parked in front adds a touch of daily life to this scene rich with texture and history.

This old wooden door with a pink frame is set into a stark white wall. The contrast in colors and textures, along with the worn steps, makes for a compelling architectural portrait.

A faded pink door stands in a dark, grimy corridor, its surface covered in scratches and markings. This moody photograph captures a sense of mystery and the passage of time in an urban alley.

Tucked into a mud-brick wall, this dark, intricately carved wooden door is slightly ajar. The deep shadows and earthy tones give it a timeless and almost secretive quality.

About The Doors of Maharashtra

When I photograph these structures, I do not use heavy studio setups or artificial lighting. It is just me, the natural light, and the patience to wait for the right angle where the texture of the wood meets the history of the wall. I look for the peeling paint and the wear because that is where the character of the place actually lives.

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