Our Featured Lighting Projects and Rigs
A look at the gear and technical setups we have deployed for cinematographers on feature films, web series, and major television commercials.
A massive Litegear Auroris soft light suspended with motorized hoists, creating a beautiful ambient glow over an intricate library set for a TV commercial. This setup demonstrates how we can achieve large, controllable soft sources even in complex environments.
To create a powerful, realistic sunlight effect for an outdoor shoot, we rigged a Nanlux Evoke 1200 with a fresnel lens alongside three Creamsource Vortex 8 panels on a cherry picker, giving the cinematographer precise control high above the set.
This is the iconic 'Wendy Light,' a custom tungsten fixture I designed 27 years ago for the film 'Holy Smoke'. It's a testament to my philosophy of innovating to meet a project's needs, a legacy that continues in all our custom builds.
A look at just a fraction of our Creamsource Vortex 8 inventory being prepped for a large-scale commercial shoot. Having dozens of these powerful, weatherproof LED fixtures on hand means we are ready for any demand, in any condition.
We are proud to have provided the lighting package for the film 'Santosh,' which was shortlisted for the 97th Academy Awards. This is the kind of powerful visual storytelling our equipment helps create.
When a standard lift won't do, we build our own solutions. Here, our custom-manufactured crane positions an Arri T24 tungsten fresnel perfectly to simulate sunlight, while our grip team rigs blacks to control the real sun.
A complex outdoor lighting rig for a TV commercial, blending a variety of modern LED fixtures including Nanlux Dyno and Evoke lights, a Lightstar Airlite, and Arri SkyPanels, all controlled wirelessly for maximum flexibility.
About Featured
Our approach to these featured projects is built on solving the specific lighting demand of the shot. Whether we are rigging Nanlux Evoke 1200s on a cherry picker to create sunlight or suspending a 10x10 Litegear Auroris for a clean, ambient look, the focus remains on reliability and control. We arrive with the DMX infrastructure, custom mounting hardware, and the crew experience required to execute high-speed, flicker-free shots without wasting your production time on set.
Our work in this gallery spans decades of industry evolution. We started during the 35mm film era—where resourcefulness was the only currency—and we have transitioned into a powerhouse for modern LED technology without losing that fundamental grounding.
When you look at our rigs, you see the result of deep technical preparation. We do not just rent fixtures; we provide the solution. For instance, creating the specific daylight patches you see in our outdoor shots requires balancing high-output sources like the Creamsource Vortex 8 with the correct diffusion and grip support to control spill.
Our legacy is defined by custom engineering. The iconic 'Wendy Light' remains a fixture in our inventory, but it sits alongside the latest wireless DMX-controlled LED arrays. We are comfortable in the chaos of a Mumbai monsoon shoot or the precision of a high-end commercial studio setup.
The team you work with—our gaffers, best boys, and technicians—are trained in-house. We do not hire random hands. We bring our own power distribution boxes, custom trussing, and the ability to solve lighting problems before the camera rolls. If a standard lift cannot put the light where you need it, we build a rig that can. Our commitment is to the cinematographer's vision, ensuring the light works for the story, not against it.
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