Behind the Scenes: How I Create My Resin Art
Every piece begins as a vision in my Mulund studio. Take a peek into my process, from the first pour to the final finish.
A look at the making of an ocean nameplate, from pouring the resin to placing the shells. It's a process filled with love and attention to detail.
Can you guess what's in the making? A close-up of a seascape piece with tiny boats and stones.
Another angle of the seascape in progress. The details are starting to come to life.
A wider view of the seascape piece, showing the different elements coming together.
The final details being added to the seascape art.
A close-up of the tiger eye stones and miniature boat in a seascape piece.
Showcasing some of my work from last week, including a large wall clock, wedding favor coasters, and a 3D flower nameplate.
Work in progress on a large order of floral coasters. Each one is a small piece of art.
About From My Studio to Your Home
Resin art is a slow process, not just a quick pour. Each piece needs at least 48 hours to cure in a temperature-controlled, dust-free environment to achieve that glass-like clarity. When you see a bubble-free finish, it is the result of patience and careful pouring technique, not a machine.
When you order a piece from me, you are not just getting a product off a shelf. You are getting a handmade creation that I have worked on in my studio in Mulund.
My process is simple but requires precision. First, we finalize the design and color palette. Whether it is a deep ocean theme or a delicate floral preservation, I use high-quality, UV-resistant resin.
The magic happens during the mixing and pouring stage. I carefully mix the resin and hardener, removing air bubbles as I work, so the finish remains transparent and glossy. This is where I pour my heart into the layers.
Once the resin is poured, I let it sit. I cannot rush this part. The piece stays in a covered, dust-free space for two days. This ensures it hardens perfectly without any surface imperfections. If I am working on a 3D mantra frame or a heavy coffee table, I add the structural elements—like gold acrylic lettering or metal legs—only after the surface is fully set.
Finally, comes the packaging. Because these pieces are delicate and often heavy, I wrap them in multiple layers of protection to ensure they reach your home safely. Waheguru Ji, meher kari, I am so thankful for every order that lets me keep doing this work.
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