High-Octane FPV Drone Cinematography
Chasing fast cars, diving through architecture, and capturing live energy—this is my highlight reel of high-speed FPV drone work.
This is what happens when you get a drift car and a superbike on a track for a last minute session. We filmed this whole sequence in just 15 minutes, capturing the raw energy of a Lexus GS300 drifting alongside a BMW 1000rr. These are the kind of high speed FPV chase shots I live for.
For this Royal Enfield shoot, I built a custom drone with a unique back-facing camera mount. This allowed me to fly ahead of the motorcycle and capture this incredible reverse chase shot as the sun set over the race track. Getting the shot no one else can is my specialty.
It was an absolute honor to provide the FPV drone cinematography for this feature on the Chenab Bridge, the world’s highest railway arch bridge. Capturing the scale of this engineering marvel for a post by Prime Minister Narendra Modi was a proud moment.
This is the kind of raw energy I love to capture for Punjabi music videos. For Karan Aujla's 'MF GABRU', I chased this convoy of off-road vehicles through the dust, getting right in the middle of the action with my FPV drone to create a truly intense sequence.
People often ask if I can fly indoors. Here is your answer. This is a one-take FPV shot I did, flying through a massive luxury residence. This kind of precision flying in tight, complex spaces is perfect for high-end music videos, real estate, or commercial tours.
Flying in the snow-covered Himalayas for Guru Randhawa's 'MoonRise' was an epic experience. My drones are built to handle extreme conditions, allowing me to capture breathtaking landscape shots that add a massive sense of scale and beauty to any project.
There's nothing like the energy of a live concert. For AP Dhillon's show in Chandigarh, I flew my FPV drone over the massive crowd, capturing the scale of the event and getting dynamic shots of the performance that you can't get with any other camera.
This is one of my custom heavy-lift drones, built to carry professional cinema cameras like the Blackmagic Pocket Cinema Camera. When a project demands the highest image quality, I have the gear and the skills to make it fly, ensuring broadcast-ready FPV footage.
About Featured
Every shot you see here relies on a mix of precise flight control and custom engineering. I don't just pick a drone off the shelf; I build the setup specifically for the environment. Whether I am threading a 3-inch ducted cinewhoop through a luxury residence or chasing a drift car with a heavy-lift X8 octocopter, the rig is balanced for the movement. This is how I get those ultra-smooth, high-speed chase angles where other drones simply cannot fly.
My work focuses on the edge of what is possible with a camera. When you watch a standard drone video, you see the scene from a distance. When you watch my FPV footage, you are in the middle of the action.
Why Custom Builds Matter
Standard cinema drones are stable but often sluggish. My custom builds bridge that gap. I configure frames specifically to carry cinema-grade gear like Blackmagic or RED Komodo cameras while retaining the agility to dive, roll, and chase at speeds exceeding 100kmph. If the path involves tight indoor spaces, I swap to cinewhoops with ducted propellers to ensure I can get close to people and architecture without safety risks.
From Race Tracks to National Infrastructure
I thrive on variety. I have chased superbikes on race tracks in Chandigarh and Delhi, capturing the grit of drifting with a back-mounted camera for dynamic reverse angles. On a completely different scale, I have captured high-altitude aerials for national infrastructure projects, including the Chenab Bridge. The common thread is the flight path planning. Before I take off, I am thinking about the exit vector, the lighting, and the energy the client wants to convey.
Working Together
I work as a part of your crew, not just a contractor. Whether it is syncing with a show director for a concert or coordinating with a stunt driver on a closed track, I understand the technical requirements of the production. I am DGCA certified and keep a full backup fleet on-site, so we never lose momentum during a shoot. Tell me your wildest shot idea, and let's figure out how to make it fly.
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