Commercial & Branded FPV Drone Cinematography
High-speed, high-impact FPV shots that bring a cinema-grade perspective to your brand. From national infrastructure projects to fast-paced automotive commercials, I deliver stable, production-ready footage.
I captured these FPV shots for the Royal Enfield Interceptor commercial. The goal was to create a feeling of freedom and adventure, so I filmed the bikes cruising along the beach and through stunning landscapes, adding a dynamic, flowing perspective to the ad.
For this SanDisk Extreme Pro SSD commercial, I flew my drone through a dense forest in Manali. The FPV shots were used to create a sense of speed and efficiency, mirroring the product's capabilities while capturing the beauty of the natural environment.
It was an absolute honor to provide the FPV drone cinematography for this feature on the Chenab Bridge, the world’s highest railway arch bridge. Capturing the scale of this engineering marvel for a post by Prime Minister Narendra Modi was a proud moment.
About Commercials & Branded Content
I don't just show up and fly. On every commercial set, I work directly with your DOP or Director to sync flight paths with the narrative, ensuring the camera move serves the story. Whether it is a tight indoor tracking shot or a high-speed vehicle chase, we nail the framing in fewer takes because I build and tune my rigs on-site to perfectly match your lens and payload requirements.
Commercials live or die by the edit, so I provide raw footage that gives you maximum flexibility in post-production. All my commercial deliverables come in 10-bit Log, providing the wide dynamic range needed to match the rest of your cinema camera footage during color grading.
Custom Rigs for Custom Shots
Off-the-shelf drones have limits, but I do not. If your shoot calls for a RED Komodo or a BMPCC 6K, I deploy my custom X8 octocopters to get that stable, heavy-lift look. If we need to zip through a car interior or navigate a tight manufacturing plant, I switch to my 3-inch cinewhoop. By maintaining my own fleet, I can swap payload configurations mid-shoot, saving you time when lighting conditions or shot requirements change unexpectedly.
On-Set Collaboration
I operate as a dedicated crew member. I have collaborated with production teams across Delhi, Chandigarh, and pan-India locations, often jumping into sync-up sessions with show directors to plan flight paths that work around pyrotechnics, moving actors, or complex stunts. Need a 100kmph chase sequence? I am ready. Need a slow, cinematic reveal in a confined space? I have that handled too.
Safety & Standards
I am a DGCA certified pilot, which is a non-negotiable standard for professional sets. All my commercial assignments come with redundant hardware, a dedicated spotter, and a field charging ecosystem, so we are not waiting on batteries when the golden hour hits. When you hire me, you get a pilot who treats your budget and timeline as seriously as the footage.
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