Behind the Art: My Creative Process

The Sketching Phase

The most important part of my work happens before the paint touches the surface. I start with freehand pencil mapping to make sure the proportions are right for your specific space. Whether it is a dense botanical mural or a traditional Pichwai motif, the structure has to be solid. I do not use stencils because they can make art look generic and stiff. My hands do the work.

Materials and Durability

For mural projects, I exclusively use high-grade, washable acrylic paints. After the painting is complete, I allow for a 48-hour curing process to ensure the paint sets properly. If we are doing a high-detail heritage piece, I switch to 000-size brushes for those tiny, hairline strokes that give it that miniature painting feel. For areas with high sunlight, I apply a protective varnish to prevent UV fading.

Restoration and Collaboration

Walls age, and art fades. I often work on restoring old murals, studying the original technique to bring back the depth. For large-scale office or hotel projects, I bring in my team of artists to ensure we stick to your timeline without cutting corners on the quality of the finish. It is not just about decorating a wall; it is about creating a piece of art that lasts.