The Art of Mysore Painting: Our Traditional Process

The initial sketch for an epic Mahabharata Kurukshetra scene. Capturing the emotion and action of thousands of warriors requires careful planning and detailed freehand drawing before any color or gold is applied.

Here you can see the fine line drawing stage for a large, complex piece. Every character and detail is carefully outlined with red ink, setting the foundation for the gesso work and coloring that will follow.

A close-up of the line drawing process in motion. Using a fine brush, we create the permanent outlines that will guide the entire painting, ensuring every element is perfectly placed.

This video shows the intricate gesso detailing in progress. Gesso, a special paste, is applied to create a raised, 3D effect for ornaments and architectural elements, which is a defining characteristic of Mysore paintings.

Here I am applying the delicate gesso work for a classic Vinayaka painting. This meticulous process builds up the texture and dimension of the artwork, preparing it for the application of gold leaf.

The gesso work on this Lord Balaji painting is complete, showcasing the sculptural effect it creates. This traditional technique adds depth and brings the divine form to life even before color is added.

A close-up look at the gesso work under different lighting. You can see how the texture and depth are meticulously crafted, creating a visual masterpiece that is rich in detail.

This clip shows the careful application of pure gold leaves onto the painting. This is a delicate step that brings a divine radiance and richness to the artwork, highlighting the sacredness of the subject.

The brilliance of 22-carat gold work is evident in this Ganesha painting. The gold leaf is carefully applied over the gesso, enhancing the divine aura and making the ornaments shine.