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Spiritual & Devotional Journeys: Tabla for Meditation

byAnuradha PalAvailable online, at Juhu studio, and travels across IndiaStarts from2,000 per 2-day workshop passView full gallery

My music is more than a performance; it is a prayer. By combining the ancient science of Naad Yoga with the rhythm of the Tabla, I create spaces for meditation, devotion, and stillness in temples and sacred gatherings.

This was not a performance, but a prayer. A 'Tabla Shiva Samarpan' on a sacred Sawan Somwar, where each beat flowed with the aarti and bells. This is the essence of Naad Yoga, a complete surrender to the divine through sound.

Surrounded by young, receptive minds at the Mouni Baba Ashram in Ujjain after a concert. Sharing music in such a sacred space is a true blessing, and the positive energy from the audience was incredibly uplifting.

A glimpse into 'Arpanotsav', a unique storytelling event featuring my 'Ramayan on Tabla' concept. Here, I use the rhythmic language of the tabla to narrate epic tales, creating an audio-visual experience that is both spiritual and engaging.

A group photo with all the wonderful students and members of the Mouni Baba Ashram. It is my belief that music is a powerful tool for value-based education, and I am grateful for opportunities to connect with the youth in such spiritual settings.

A clip from the 'Arpanotsav' festival, showcasing a unique jugalbandi of storytelling through music. These events bring together different musical traditions, like Sufi, Folk, and Classical, to create a rich and diverse spiritual experience.

Standing in the serene Mouni Baba Ashram in Ujjain. The peace and sanctity of such places deeply influence my music, allowing me to connect with and channel a more profound, meditative energy in my performances.

With one of the spiritual leaders at the ashram. These interactions are deeply enriching and reinforce my commitment to using music as a bridge for spiritual connection and inner well-being.

About Spiritual & Devotional Journeys

These sessions are fundamentally different from standard stage concerts. When I perform at places like the Mouni Baba Ashram in Ujjain, the focus is entirely on the environment and the energy of the audience. The music acts as a bridge for collective meditation, where I adjust my rhythm based on the spiritual resonance of the space, ensuring the Tabla supports the atmosphere rather than dominating it.

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